Cathy Pegau’s second Charlotte Brody historical murder mystery, Borrowing Death, is set between two colossal mistakes: the Great War and the enacting and enforcing of American Prohibition. While the Great War remains a definitive Canadian event, Prohibition figures prominently in the social rifts and conflicts of Pegau’s early-twentieth-century-Alaska-set novel. But Pegau’s journalist-amateur-sleuth heroine, Charlotte Brody, embodies an equally important historical moment. As Charlotte says, she’s not as interested in the 18th Amendment as she is in the 19th.
Charlotte is an independent, idealistic young woman, working as a journalist, deeply committed to causes near and dear to her, women’s suffrage and rights. Though only in her early twenties, Charlotte has done some living. She travelled from afar to the frontier town of Cordova. In the series’s first book, we learn Charlotte survived a fraught love affair. Her relationship with former lover Richard left her with a sour view of men and relationships and a diminished sense of her ability to understand and judge people. When she refused to follow her lover’s demand for a conventional end to their romance, that is, marriage, children, and Charlotte as home-maker, wife, mother, he turned on her. As a result, Charlotte made painful, irrevocable decisions, one that haunts her still. Moving to Cordova, reuniting with her brother Michael, is how Charlotte will lay the past to rest. Her writing and sleuthing, curiosity and intelligence, restore Charlotte’s faith in herself. If she can only find some way to restore her faith in romantic love. Continue reading