MINI-REVIEW: Wendy Roberts’s A GRAVE END

Grave_EndWendy Roberts’s fourth Bodies of Evidence mystery finds our heroine and psychic body-finder caught between her past and future, as she has been for the past three books. Without spoiling the series if you’ve yet to read it, heroine Julie Hall uses “dowsing rods” to find missing, deceased people, bringing closure to their families and, more often than not, helping the police solve cold cases. Set in moody-broody Washington state, our Julie is a trailer park gal with supernatural abilities, an up-close-and-personal relationship with beer and wine, and a past as haunting and painful as the murderous circumstances of the bodies she discovers. In each volume, Julie tries to make peace with her abusive past, fend off dipsomania, and draw comfort from a life she’s forged with will power, the wisdom of a great therapist, and the love of her twenty-years-senior FBI-agent boyfriend (I know, but it totally works). Continue reading

MINI-REVIEW: Karen White’s THE GUESTS ON SOUTH BATTERY

The_Guests_On_South_BatteryMiss Bates has followed the fortunes of Karen White’s heroine, Melanie Middleton, her on-again, off-again fraught relationship with writer Jack Trenholm, and her ghostly encounters, malevolent and benign, through four books. Though written in first-person narration and with a maddeningly slow-moving romance, MissB enjoyed every one, especially when they culminated in pleasing romantic conclusions. How could she pass up an opportunity to learn of Jack and Mellie’s further adventures? And how not to revisit beautiful Charleston and the vintage homes that feature in each mystery? Be warned, readers, if you haven’t read the first four books, MissB’s review of #5, The Guests On South Battery, contains spoilers. It’s inevitable when each book, while resolving the ghostly mystery at its heart, only moves Mellie and Jack’s relationship one smidgen forward. But there’s epilogue-satisfaction to The Guests On South Battery. When it opens, wife and husband, Mellie and Jack, their ten-month-old twins, JJ and Sarah, and Nola, Jack’s daughter from an earlier marriage, and now Melanie’s step-daughter, are living a good life. Continue reading

Wendy’s TBR Challenge: Simone St. James’ THE HAUNTING OF MADDY CLARE, Or The Great Yea

Haunting_Of_Maddy_ClareFinding a TBR challenge title for July’s theme, a RITA Award winner, was easy for Miss Bates. She loved Simone St. James’ Silence For the Dead and The Other Side Of Midnight; it was natural to choose St. James’ first hybrid gothic-romance-ghost-story-mystery novel to read, The Haunting Of Maddy Clare, which won Best First Book and Novel With Strong Romantic Elements in RITA’s 2013 competition. Again Miss Bates had to read with the light on, again she read non-stop to reach the HEA, and again St. James delivered gothic romance’s promise: eerie atmosphere, a naïve, intelligent, diffident heroine, mysterious, dark hero, haunted places and unsettled spirits, and the heroine’s voice, growing in strength and understanding as she sets the world aright. The Haunting Of Maddy Clare opens in London in June 1922. Alistair Gellis, ghost hunter, seeks an assistant to help him investigate the ghostly presence of Maddy Clare in the village of Waringstoke. His request to a temp agency brings him solitary, lonely, poverty-stricken, sad Sarah Piper. While he already has an assistant in volatile Matthew Ryder, Maddy Clare’s ghost is particular in her hatred and violence towards men. With Sarah’s help in approaching and recording Maddy’s ghostly presence, Alistair and Matthew hope to rid Mrs. Clare, Maddy’s foster parent and employer, of the malevolent spirit residing and wreaking havoc in her barn. Continue reading

Simone St. James’ THE OTHER SIDE OF MIDNIGHT, Or The “Undiscovered Country …

Other_Side_Of_Midnightfrom whose bourn no traveler returns,” says Hamlet – except in a Simone St. James novel says Miss Bates. St. James’ latest, The Other Side of Midnight, is dedicated to Mary Stewart, one of the mothers of gothic romance. Stewart’s spirit permeates St. James’ novels. Stewart’s spirit lives in the diffident, ethical cores to her heroines, in the mysterious atmosphere, foreboding mood, impending danger, and unknown territories heroines enter. Stewart peeks through in heroes who are ominous, frightening, ambivalent, but prove caring, loving, and protective. Stewart’s influence hints in the strength to St. James’ rendering of time and place. Stewart is present in the heroine’s venture into uncharted places, her crossing into extraordinary places, meeting, conversing with, and discovering the secrets of the dead. Stewart is present in the young, coming-into-her-own voice of the first-person narrator. In Stewart and St. James, a seemingly insignificant young woman destroys the powers of evil; she is the one who brings justice to a world disjoint. The Other Side of Midnight may not be homage to Stewart in content, but St. James places herself within a beloved literary tradition. She belongs there: after four wonderfully atmospheric novels, she’s proven her mettle and Miss Bates hopes she’ll reign long. Miss B. loved St. James previous novel, Silence For the Dead. In The Other Side of Midnight, St. James offers another hybrid mystery-ghost-story-suspense-romance novel and weaves her narrative threads for our reader delectation. Continue reading