The Hunter is Monica McCarty’s seventh Highland Guards novel and a solid read. McCarty is obviously enamoured of Scottish history; this comes through in the novel, as well as the extensive and interesting afterword. Miss Bates abandoned reading McCarty’s work after gorging on her Campbell trilogy and the first of the series, The Chief. Miss Bates enjoyed this one too, but had no desire to fill in the blanks between The Chief and The Hunter. Why? It has to do with McCarty’s love of Scottish history. After reading The Hunter, she noted McCarty’s strengths, but also pinpointed her weakness: McCarty loves her history more than her romance. Her historical research is interesting and fresh; her romance, on the other hand, is formulaic, effective but written to type. Miss Bates always learns something from McCarty; while she enjoys her hero and heroine and their journey to their HEA, she can’t help feeling that she’s read something similar in previous books. Her formula is a winning one, but it is a formula nevertheless.
What can McCarty consistently deliver? A competently written, well-paced romance novel, with the right balance of history, passion, endearing if one-dimensional characters, nasty villains, and a suspenseful build-up to a halcyon conclusion. A winning formula, yes? In this case, her interest in Scottish history focuses on the role that monastic couriers played in the establishment of King Robert Bruce in 14th century Scotland.
Her heroine, Sister Jenna, is a courier, though she has not actually taken the veil. She is Janet of Mar, a noblewoman disguised as a nun, working for Bruce as an intelligence agent on the English side of the border. Her hero, Ewen Lamont, is a member of Bruce’s elite Highland guard, on a mission to return Janet to her family and Bruce’s court. When Ewen finds himself attracted to the nun, not only does he have a serious case of libidinal frustration, but his Catholic conscience is in shambles! This part of the novel was quite charming and reminded Miss Bates of a beloved film, Two Mules for Sister Sarah, with a sexy, pre-Dirty-Harry Clint Eastwood and an unlikely nun in Shirley MacLaine. Amidst stealth and danger, with Janet’s disguise eventually compromised, these two fall in lust. It is charming, heart-stirring lust and the physical sparks between them are fun to read.
McCarty didn’t leave these two lusting and challenging the English, she wanted internal conflict driving a wedge between them. She gave Ewen some daddy issues, a daddy dissipated and wild. Ewen wants to be responsible, honourable, and dispassionate. He’s got quite a ways to fall as he struggles with conscience, honour, and his loyalty to the king to bring this noblewoman back to her family and king in tact. Ewen wants to do the right thing so much that he hurts Janet in the process. Janet’s block to her HEA, on the other hand, rings false. She loves Ewen, wants Ewen, but will not give up her work, or her independence to a man. Miss Bates has no doubt that intelligent women of the Middle Ages might have questioned their inferior status, might have yearned to be something more than what their societies afforded them. Nevertheless, Janet’s consideration of these issues makes her sound distinctly contemporary and renders McCarty’s novel anachronistic. The lady just simply “doth protest too much” to make her a viable historical figure. That Ewen comes to recognize Janet’s competence, intelligence, and usefulness, but still wants to protect her is more believable. What isn’t? The Disney-esque, castle turrets and all, ending. You’re better off not reading the epilogue, but don’t neglect the fascinating afterward.
In the end, Miss Bates enjoyed this novel, though she was nonplussed by the anachronistic heroine. McCarty delivers, and you’ll get exactly what you expect: nicely paced plotting, admirable hero and heroine who grow to love and respect each other. This is a very competent, enjoyable romance novel that’ll blend in with every other one you’ve read by her. McCarty is not interested in breaking any molds, or asking any questions of the genre. Sometimes Miss Bates wishes she’d try her hand at a contemporary, set in Scotland of course, but a novel where she can maybe let her emancipated heroine run freer.
Miss Bates was moderately pleased and renders a verdict of “tolerable comfort.” Mansfield Park
The Hunter was made available to Miss Bates as an e-ARC from Ballantine Books via Netgalley. It will be released on June 25th and available in the usual places and formats.