Comfort Reads and the End of an Era: With a Mini-Review of Janice Kay Johnson’s IN A HEARTBEAT

In_A_HeartbeatWith much sadness, I read Janice Kay Johnson’s note on her Superromance, In A Heartbeat. It is her last, alas, and the category is no more. I’ve loved so many of JKJ’s Superromances, especially the early ones. I read In A Heartbeat with enjoyment, for it is JKJ signature good. I didn’t always love the category’s authors and found some tedious, but I loved the idea of what it represented: a fantasy-based genre coming as close to realism as it could.

I read Betty Neels’s Tabitha In Moonlight at the same time as I read Johnson’s In A Heartbeat and, given Neels’s comfort-read status, I expected some dissonance. In the end, I wasn’t surprised to find none from two authors whose moral impetus is writing about decent people doing good and falling in love. I guess the only difference, given Johnson’s preference for realism, is that her characters do the best they can, in often difficult circumstances. Betty Neels’s characters are about being the best they can.   Continue reading

REVIEW: Katherine Reay’s LIZZY AND JANE, Of Sustenance and Austen

Lizzy_JaneWith a book about food, love, and family, Miss Bates launches her review by eating humble pie. “Never say never” should be Miss B’s mantra regarding romance reading. Katherine Reay’s Lizzy and Jane is mild romance; it’s … GASP … women’s fiction, a fictive genre Miss Bates purports to abhor. Indeed, there’s been scorn-heaping. It’s the type of fiction she’s most likely to DNF. She finds it precious and precious becomes boring and boring becomes the worst kind of sentimental. Reay’s novel skirts close to DNF territory: estranged sisters (sibling relationships have never interested Miss B.), acrimony remaining from their mother’s illness, CANCER, one of the two sisters ill with CANCER herself, confronting the past, each other, and salvaging, or sundering, relationships. It focuses on younger sister, Elizabeth, “Lizzy,” Hughes, 33, moving back to the Pacific Northwest (from New York City where her chef’s career was floundering) to come to terms with people she left behind: retired firefighter dad and especially older sister, Jane. Her journey tries to answer: what is home? What do we owe the people closest to us, particularly those with whom we share strained relations? What is family? From where do we derive meaning and purpose? How do we find God amidst acrimony and failure?

It is the start of the Lenten season for Miss Bates, a season of re-evaluation and reflection, and Reay’s novel was a perfect fit. While suffering from the failure of inspirational fiction to make a tangible, ritualistic participation in church life as essential to defining ourselves as Christians, Reay’s novel nevertheless took a eucharistic perspective through Lizzy’s creative food acts. And her spirit guide, and that of others as well, like her sister, Jane, was Jane Austen. Like food, which serves as healer and binder, literature stands in as such as well. Continue reading