When I started reading romance after 30 years away, one of the first romances I read was Sarah Mayberry’s Best Laid Plans. Introduced to the genre with The Flame and the Flower, Mayberry’s romance was revelatory. It told me how much the genre had changed and how wonderful those changes were. I’d never have believed when The Flame and the Flower was the norm to read about an older heroine and hero, professionals both, disappointed by past relationships, agreeing to share a child (and, hey, it’s a romance, so they also fall in love along the way). I was attracted to Stacey’s Their Christmas Baby Contract because I was nostalgic for Mayberry’s romance and because, foolish as this is becoming, I yearn for a wonderful category romance (two attempts with previously beloved authors left me cold). Stacey’s premise captured me. The blurb will set it up for us:
Brady Nash is handsome and anti marriage. And with IVF completely out of her financial reach, Reyna Bishop is running out of time to have the child she so very much wants. Theirs is a practical baby-making deal: no emotion, no expectation, no ever-after. They’ll even “date” through Christmas to silence their hometown gossips. It’s foolproof…till the time she spends with Brady and his warm, loving family leaves Reyna wanting more than a baby…
Brady isn’t anti-marriage, nor a commitment-phobe: he has a reputation, completely unjustified, as a ladies man. Reyna too has an unjustified reputation as a man-killer. Neither of them live up to either and the town, cutesy-Christmas-parade-Hallmark-decorated is unkind in its assessment. But bargain they do and we’re off to the baby races by chapter three, with two calm, responsible introverts falling in love and ever denying it, uncertain of the other’s feelings, hesitant about their own. Continue reading
Shannon Stacey’s romance ethos is a likable one and it’s evident in volume two of her Boston Fire series, Controlled Burn. Her characters aren’t glamorous, super-rich, brilliantly educated, or extraordinary. Boston Fire is set with everyday heroes, their local watering-hole, families and friends. Stacey prefers mature protagonists and Miss Bates likes how the heroes often feel it’s time to settle down, marry, have a family. Controlled Burn‘s hero, Rick Gulloti, is no longer comfortable with his reputation as “not the marrying kind”. Grey’s in his hair and a hint of stiffness in his joints. Otherwise, Rick is content: Ladder 37’s lieutenant, uncle to his two nephews, a good son, and Joe and Marie Broussard’s loving neighbour and friend. Rick rents their upstairs apartment, renovated to his taste and comfort. He helps them out, hangs out, and enjoys Marie’s cooking. The Broussards, however, are aging and less and less able to care for their home, more fragile and prone to hospital stays. One such stay brings heroine Jessica “Jess” Broussard to Boston from San Diego when the hospital contacts her father, Davey, and she intercepts the call. Her father hadn’t shared his parents’ existence with her. They’ve been estranged for years. As a woman running her father’s financial advising firm, Jess is a no nonsense, super-competent woman. She arrives in Boston to meet her newly-discovered grandparents and help them re-settle their lives in an assisted-living community – and runs smack into Mr. Firefighter-Hunk and Joe and Marie’s support and protector.
Miss Bates spent many a happy childhood summer in Boston, visiting family, a few days at the Cape now and then. Shannon Stacey’s new romance series, Boston Fire, of which Heat Exchange is the first, was irresistible, thanks to its Bostonian setting. Like most rom of this ilk and length, however, setting didn’t figure prominently, but there was a definite Bostonian working-class urban feel. Stacey specializes in the family saga romance without ever losing sight of the rom. This series is signature Stacey: a large clan, the Kincaids, with a retired firefighter dad, and firefighter baby brother to two older sisters, one of whom, Ashley, is married to a firefighter, and another, Lydia, divorced a firefighter. The men of the family are several-generation firefighters and the ethos makes for the background and conflict to the romance.
Ashley and husband Danny are estranged: Danny’s the strong, silent type and Ashley’s tired of his close-mouthed love. She wants him to communicate, dammit. With good reason, Danny can’t; Ashley kicks him out and calls sister Lydia to help out by taking over her bar-tending duties at dad’s, Tommy Kincaid’s, pub. After a cheating heartbreaking break-up and divorce, Lydia moved to New Hampshire to work in an upscale restaurant and leave behind the firefighting scene and long-suffering women who care for and agonize over the men who fight fires. But when Ashley calls, sobbing and distraught, family bonds are stronger than any desire to start anew. To Boston Lydia returns, to everything that hurt her, and runs smack up against her brother’s best friend, Aidan Hunt. Continue reading