Miss Bates is a loyal reader to certain romance writers because they offer engaging romance about goodness: Liz Fielding, Marion Lennox, Carla Kelly, Jessica Hart, and Kate Hewitt. Their heroes and heroines may be melancholic, mistaken, even sharp at times, but they are fundamentally good – decent, caring, and kind. No one is smarmy, no one is mean, and no one dominates. It’s fair to ask if this makes their books, their characters, humdrum? Miss Bates would argue not because they create characters who are good people with plenty of personality. The dialogue is strong; the inner conflicts, believable; and the romance, of the sigh variety. When MissB reaches the end, she is replete with reader satisfaction.
Such a book is Liz Fielding’s The Sheikh’s Convenient Princess. The premise is outlandish, but Fielding’s hero and heroine are believably fleshy, in their dilemmas, give-and-take and back-and-forth witty banter, serious sharing, charming flirtations, and deepening affection. When we meet Sheikh Bram Ansari, he is “disgraced, disinherited, and exiled.” Youthful shenanigans led his father to disinherit him and put his younger brother on the throne, a younger brother who also married Bram’s arranged fiancée, Safia. Enter Ruby Dance, exclusive, much-sought-after, lauded temporary PA. Bram may not have seen kith or kin in five years, but he cleaned up his act and is now a billionaire. He can afford Ruby Dance. Continue reading
Miss Bates is not a fan of sheikhs, or secret babies (babies yes, but not the secret ones). She loved Graham’s The Billionaire’s Bridal Bargain, the first rom in the series, and wanted to read the second to learn about the heroine’s sister, Chrissie. Lizzie Whitaker, of Bridal Bargain, noticed her university student sister looking sad and stressed in a way she knows is not related to her studies. The reason why is evident in The Sheikh’s Secret Babies; she married Prince Jaul, future king of the Middle Eastern kingdom of Marwan, in haste and repented at leisure, strapped for cash and pregnant. The novel opens four years later with Jaul contemplating marriage to Zaliha, a woman he doesn’t love who will be good for his reign and people. Cue ta-da music … Bandar, his legal advisor, informs him he’s still married to Chrissie. Jaul pegged Chrissie as a “mercenary, hard-hearted” “gold-digger,” after she accepted his father’s five-million-pound bribe to desert him. Little did he know Chrissie was destitute and pregnant in London (after he left for Marwan without her) until Lizzie and Cesare came to her and soon-to-be-born twins rescue. Though Chrissie doesn’t deserve it, Jaul thinks the decent thing to do is go to London, inform Lizzie about their still-married state, and ask for a divorce. Continue reading
In E. M. Hull’s horrific Sheikh, Ahmed kidnaps, rapes, and imprisons Lady Diana to avenge his mother’s abuse at his English father’s hands. Thank you, Wikipedia, Miss Bates didn’t have to read it to learn this. Maisey’s Yates’ Sheikh’s Desert Duty winks at Hull’s premise. Though the resemblance ends there, it is still a clever nod to one of the most controversial of the romance’s genre’s predecessors.
Yates’ Sheikh’s Desert Duty, part of the elaborate, convoluted and to Miss B uninteresting Chatsfield series, opens with Sheikh Zayn Al-Ahmar of the desert kingdom of Surhaadi and James Chatsfield. James is the nasty who has dishonoured Zayn’s sister, Leila, by abandoning her pregnant. When Zayn calls James out for his actions, James responds, ” ‘You’re positively biblical, Al-Ahmar.’ ” Zayn is all about the old-fashioned virtue of protecting his family and country. When Zayn leaves London’s Chatsfield Hotel, he discovers Sophie Parsons lurking among the garbage cans. Sophie, in turn, is there to help out a friend, Isabelle Harrington, whose family hotel business is threatened by Spenser Chatsfield. As a reporter, Sophie hopes to find some delicious Chatsfield scoop to use in aid of her loyal, loving friend. What she finds instead is a tall, dark, handsome stranger, who assumes she’s going to snoop around long enough to expose his sister’s dilemma. To protect his sister’s and country’s reputations, Zayn kidnaps Sophie. Sounds awful? In premise, yes, but Yates is a clever and tongue-in-cheek writer when she’s at her best. Evidence: James’ cool, sly “biblical” retort to Zayn’s sombre, serious need to protect his family. Zayn: the desert patriarch, the tribal leader under whose wings everyone is succoured. Continue reading
With the Middle East in conflagration, Miss Bates’s taste for the desert sheikh romance is less and less palatable, requiring a greater and greater suspension of disbelief. If there’s a sheikh romance that engages and convinces, it’d be Maisey Yates’s. (Miss Bates’ loved last year’s Pretender To the Throne, though it was set in a fictional Greek island kingdom. Settings, in the HP romance, are interchangeable. The circum-Mediterranean world suffices, with its images of heat, passion, and enough foreign-ness to satisfy the safe-seeking sensibilities of HP readers.) In To Defy A Sheikh, Yates sets up a fascinating premise: hero and heroine meet after sixteen years under unusual circumstances. The heroine, Samarah Al-Azem, former princess of Jahar, attempts to murder Sheikh Ferran Bashar of Khadra, her childhood playmate. He is the reason for her father’s execution, the father who destroyed Ferran’s family … though, as revealed in the course of the romance, her and Ferran’s family were embroiled in the most sordid of affairs, with infidelity and control and violence as their causes and outcomes. Not all parties were guilty; the ones who were dealt the hardest blows are the innocents, the children, Ferran and Samarah. As adults, Ferran is tormented by guilt and Samarah burns with revenge. Continue reading
Truth be told, as far as romance reading goes, Miss Bates is a category aficionado. Now that she’s somewhat extricated herself (and she was the sole person responsible for putting herself there) of the ARC-shackles, and given that the day job will make relentless demands on her until Christmas, you can expect A LOT of category reading and ruminating. Liz Fielding is an auto-buy and go-to author for Miss Bates. Why? Because the writing is laudable; characters; finely drawn; and, there’s humour and gravitas to the story. For example, Miss Bates loved the 2004 A Family of His Own, with its broody hero, grubby gardener-heroine, and gardening metaphors out of Wilde’s “Selfish Giant.” Fielding’s The Sheikh’s Guarded Heart has similar elements: an oasis-garden setting, a loving heroine, a cute moppet, a brooding, suffering hero and elegant writing. And the idea that the love of a good woman can water the soul of a brooding hero. Was it a thoroughly enjoyable reading experience for Miss Bates? Continue reading
The loquacious Miss Bates is rarely rendered speechless by a romance novel, especially of the suspension-of-belief-HP-variety, but Lucas’s Sheikh’s Last Seduction came close. Presents are romance fiction concentrated; when done well, they are the ultimate escapist fare, outlandish, skirting caricature, but sexy and fun. In the hands of a good writer, like Sarah Morgan, Kelly Hunter, or Caitlin Crews, even their most over-the-top qualities are transformed into sympathetic heroes and heroines, compelling story-lines, and heartfelt romance. When done badly, romance fiction can’t get worse; they open themselves up to ridicule (and that’s only from romance-loving readers). Lucas’s sheikh, Sharif, and his virginal prig of a heroine, Irene, never make their way to our hearts, but inspire, thanks to the sentimentality of the writing and unsavoriness of the sentiments, no more than a snicker … or a whimper … and, believe Miss Bates when she says there’s ne’er a bang to be found. Continue reading, but it won’t be pretty