With much sadness, I read Janice Kay Johnson’s note on her Superromance, In A Heartbeat. It is her last, alas, and the category is no more. I’ve loved so many of JKJ’s Superromances, especially the early ones. I read In A Heartbeat with enjoyment, for it is JKJ signature good. I didn’t always love the category’s authors and found some tedious, but I loved the idea of what it represented: a fantasy-based genre coming as close to realism as it could.
I read Betty Neels’s Tabitha In Moonlight at the same time as I read Johnson’s In A Heartbeat and, given Neels’s comfort-read status, I expected some dissonance. In the end, I wasn’t surprised to find none from two authors whose moral impetus is writing about decent people doing good and falling in love. I guess the only difference, given Johnson’s preference for realism, is that her characters do the best they can, in often difficult circumstances. Betty Neels’s characters are about being the best they can. Continue reading
Miss Bates loved Kate Hewitt’s A Di Sione For the Greek’s Pleasure and willingly delved into Hewitt’s women’s fic/romance incarnation in Meet Me At Willoughby Close. Meet Me has enough romance, and a likeable one at that, to satisfy a rom-reader. It contains an endearingly goofy heroine, Ellie Matthews, working at figuring out her divorced, single mum life, moving away from family and, for the first time, at 28, tackling life with eleven-year-old daughter, Abby. Ellie has a new job as an “administrative assistant” in the University of Oxford history department and new cottage in Wychwood-on-Lea, at Willoughby Close. Ellie is paired with her “boss,” a history professor she’s temporarily assigned to, the Darcy-like, upper-crust, Victorian-Era historian Oliver Venables, he of the grey-green eyes and impressive physique. Meet Me At Willoughby Close is funny and romantic. It tackles some serious subjects, with a light touch but no less profoundly: parent-child relationships, bullying, family dynamics, deadbeat dads, and class. Oh, and the joys and vagaries of pet ownership. Ellie’s dog, Marmite, is a great loping mutt whose exuberance (and wee bit of flatulence) elicit reader-giggles in every scene he snuffles into. Continue reading
Now Miss Bates has read several Rimmer romances, she can speculate why she enjoys them so much. How are they sufficiently atypical to offer jolts of reader-surprise and predictable enough to be comfort reads? Miss B. has ideas. First, what her latest reading installment is about. Her click-happy finger on Netgalley amassed one too many Christmas roms, but the pleasure of reading one in June is no less. And it’s her favourite kind: the type that opens on Thanksgiving and builds to Christmas Eve and Day. When our romance opens, heroine Ava Malloy, fallen hero’s widow and single mum, “had the medals and the folded flag to prove it,” is contemplating taking a lover: “Ava wanted the shivery thrill of a hot kiss, the glory of a tender touch. To put it bluntly, she would love to get laid.” She’s in a good place: successful, with a great six-year-old daughter, Sylvie, and happy in her friends and family. Enter almost-high-school-flame Darius “Dare” Bravo and his irresistible charm. Moreover, he’s volunteering with a local girls’ Blueberry troop, helping them build dollhouses for underprivileged children. What with Sylvie a part of the troop and Ava having to pick her up and Dare’s persistently compelling flirting, the staid, serious single mum cracks and makes Dare a proposition he cannot resist, especially given he’s carried a torch for Ava since high school: secret lovers from Thanksgiving to New Year’s Day, no strings, no obligations, not even friendship, all the benefits, commitment – bupkis.
For her final 2016 review, Miss Bates writes about a romance novel that held her in thrall though the night and into the morning, Kerrigan Byrne’s The Hunter, second in Byrne’s Victorian Rebels series. New to Miss Bates, Byrne’s Hunter reminded her of the Monica McCarty Highlander romances that were some of the first she ever read and loved. Byrne’s romance is violent; her protagonists, larger-than-life; and her writing, unabashedly melodramatic and yet elegant. At times, Miss Bates thought this feels “Old-Skoolish” but the heroine’s intelligence and sang-froid and hero’s humility and respect for her make it anti-old-skool. What Miss Bates can affirm is that she loved it. To establish sympathy for a hero who is an assassin hired to kill the heroine in the novel’s first scene, Byrne portrays Christopher Argent’s Newgate-Prison childhood. She paints a scene so horrific for his 11-year-old self that our sympathy is maintained even when, without that introduction, we’d have found his actions unacceptable. Christopher is not as nuanced and interesting as Hoyt’s Duke Of Sin, but Byrne’s romance builds our sympathy for him as Hoyt did for Val Napier: by using the pathos of a difficult, abused childhood … and then sustaining it by showing our out-of-type hero with animals, or children.
After savoring the glorious Betty Neels, Miss Bates read a long-established but new-to-her author, RaeAnne Thayne. Snowfall On Haven Point is the fifth romance in Thayne’s “Haven Point” series, set in the eponymous mythical, idealized Idaho town. Heroine Andrea “Andie” Montgomery is a Portland transplant. She arrived in Haven Point after losing her cop-husband and enduring a sexual assault. Miss Bates appreciated that Andie wasn’t a victim. She’s in a good place: working at her graphic design business, establishing a home with her two adorable kids, Chloe and Will, and building new Christmas traditions in her adopted town. She has made wonderful friends and is considering dating again: she doesn’t allow still-lingering grief and trauma to prohibit her from living life fully and well. The encounter with the curmudgeonly neighbour-hero, Sheriff Marshall Bailey, comes when Marshall’s sister and Andie’s dear friend, Wyn, asks her to check on her injured brother. Though Andie finds Marsh taciturn and even gruff at times, she agrees to deliver meals and make sure he’s all right getting around with a broken leg. A romantic suspense element is introduced when we learn that Sheriff Bailey was deliberately run down in a snowy parking lot while answering a tip from a mysterious caller. (Never mind the TSTL hero: what law enforcement officer would answer a call without back-up?) Continue reading
Karen Templeton wrote one of Miss Bates’s favourite Christmas romances, Dear Santa. Like that fave, Templeton’s A Soldier’s Promise contains the elements that she does so well: a protagonist emerges from a time of crisis, difficulty, or grief; the other manifests as a helping figure; believable, likable children and animals; and, a plot centering on the creation of a new, or blended family. Oh, and humour. And poignancy. And an everyday casualness to the dialogue that makes her characters feel like they’re our neighbours, or we’d like them to be.
After ten years, Levi Talbot returns permanently to Whispering Pines, New Mexico, from serving in Afghanistan. He is a changed but better man than the wild, adventure-seeking bad boy he was. How to convince Valerie Lopez, née Oswald, the woman who best remembers his recklessness and cause of her deceased husband’s enlistment, Tommy following his best friend into the military? Valerie is a widow with two daughters, young Josie and baby Risa. She blames Levi for Tommy’s decision, even if not his death, and Levi is torn: afraid to open old wounds and resentments, but how not to keep his promise to Tommy to help his family? “Because he’d made a promise. One he fully intended to keep. Whether his best friend’s widow was good with that idea or not.”
“The choppers appeared just after the sun.”
Human beings make sense of experience’s ephemerality by embodying it in art. Maya Lin’s controversial Vietnam Veterans War Memorial was/is integral to healing war’s wounds. It offers solace and remembrance as vets and families, foreigners and natives, bring offerings of flowers, pictures, etc., touch, wonder, and heal as they meditate on the war’s wastes and ravages (war is a universal experience, is it not?). Yusef Komunyakaa’s Vietnam-War-Memorial-set poem, “Facing It” also embodies the war, recounting a vet’s turbulent, ambivalent emotions as he touches and is reflected in the wall, naming loss, anger, and the ever-present American tragedy of race. (Don’t read this humble post, but read and listen to the poem as linked. It’s powerful.) The humble romance genre offers its embodiment in Kathleen Korbel’s A Soldier’s Heart (1994). The novel’s opening line is the prologue’s introduction to nurse Claire Henderson, who held dying Marine Tony Riordan and willed him to live. Twenty-three years later, Tony’s final act of putting his war wounds to rest, psychic where physical are long-healed, is to seek, find, and thank Claire. What he finds in her haunted eyes is the confusion, guilt, and self-destructive impulses of his own struggle with PTSD. Continue reading
Donna Alward is one of Miss Bates’s favourite category romance writers, How A Cowboy Stole Her Heart one of her favourite romances. Miss Bates has reviewed wonderful Alward roms, including 2014 fave, Her Rancher Rescuer. In The Cowboy’s Convenient Bride, Alward tackles a contemporary marriage-of-convenience romance. It’s spring in Gibson, Montana, and ladies’ man Tanner Hudson is “sick of the bar scene”. Tanner’s wife left him, claiming he was “built for fun, but not for a lifetime.” Since then, he hides his yearning for love and commitment behind a loose-and-free persona. Laura Jessup is town pariah because she slept with Gavin, golden-girl Maddy Wallace’s husband. Gavin died and Laura is mama to four-month-old Rowan, apparently Gavin’s daughter. Appearances are deceiving, however, because Gavin was a friend, offering his lawyer-services to help Laura extricate herself from drug-dealing boyfriend Spencer. Spencer was in jail when EMT Tanner helped Laura give birth: ” … she vaguely remembered pleading with him to stay with her. She’d felt so alone, so afraid, so … adrift”. Laura breaks down and tells Tanner the truth, also confessing she fears Spencer discovering Rowan and pursuing them: “If Spence ever found out that he had a child … It would be nothing short of a nightmare.” Kind, chivalrous Tanner offers Laura a marriage-of-convenience to protect Rowan and allow Laura to establish her online website design business using Tanner’s name.
Ms Royce’s Once Beloved opens at London’s 1851 Great Exhibition. Heroine Helena Martin, née Thornton, is overwhelmed by the crowd. Two-years widowed and a recluse, she ventured out for her young sons’ sake. Helena suffers from agoraphobia and panic attacks, her anxieties stemming from the incident that killed her beloved husband. Her unexpected rescuer is Daniel Lanfield, brother to the fiancé she abandoned in Marksby, her native village, to elope with Isaiah Martin. When Daniel recognizes who she is, he expresses disgust and antipathy. But Daniel is too decent to leave Helena in this state. He helps her and, when she receives a summons from her only living Marksby relative, her ailing, possibly dying grandmother, he offers to take her in his cart. Accompanied by Helena’s niece, Vanessa, Daniel and Helena make their way to Marksby where Helena will confront her youthful actions’ fruits – an economically devastated village and cold, hurtful, insulting reception. Though he still resents her, Daniel becomes Helena’s unlikely ally in this journey of reckoning into the past.
Miss Bates isn’t keen on films, or novels set in the early 1960s. She doesn’t like the bouffant dos, or sprawling skirts. For some – ahem, white males – Americans, however, it was an exciting, vibrant time and remains an unexplored setting for romance. It’s fitting that Emma Barry and Genevieve Turner’s collaboration, Star Dust (first in the “Fly Me To the Moon” series) is set during America’s “space race” with the Soviet Union. Uncharted territory then, and uncharted setting in romance. Barry and Turner’s Texas-set romance features Lieutenant Commander Christoper “Kit” Campbell, a blond, blue-eyed giant of an astronaut and Anne-Marie Smith, a diminutive divorcée and mother of two adorable children. They meet as bickering neighbours when Anne-Marie, Lisa, and Freddie move next door to Kit. Anne-Marie and Kit become friends over back-porch star-gazing, add benefits to friendship, fall in love, and achieve an HEA.