Miss Bates often wonders who can ever succeed Betty Neels in the rom-reader’s world of comfort reads? With every Marion Lennox she reads, she inches towards thinking that it might be Lennox. Not that Neels and Lennox have everything in common, but they do share in the decency, good eats, animals, and pathos of the worlds and characters they create. These elements are present in Lennox’s Stepping Into the Prince’s World. And like last year’s Saving Maddie’s Baby, there’s much to love.
Lennox enjoys writing an accident, or disaster as the hero and heroine’s meet-cute. When Stepping Into the Prince’s World opens, disgruntled Special Forces soldier, Raoul de Castelaise, realizes he must leave the military he loves to take up his native country’s, Marétal’s, rule. With his parents’ deaths when he was a child, his grand-parents ruled while he dedicated himself to military service. He’s reluctant to return, but return he must. Before he does, however, he goes to the Tasmanian port where he and his fellow soldiers had conducted manoeuvres and takes a friend’s boat for a sail, is caught in a terrible storm, and rescued by Claire Tremaine. Continue reading
Miss Bates is a conservative romance reader, as she is in food choices and ownership of sweater sets, below-the-knee skirts, and Edwardian-style shoes. She’s wary and mistrustful of new-to-her authors; reading a tried and true author, one whose sensibility is in keeping with Miss B’s preference for themes of fidelity, commitment, decency, and a minimum of love scenes, is reassuring. It sits well, goes down easy. There’s a streak of break-out rebellion in Miss B, however, and sometimes, from the comfort of her easy chair, she takes the plunge into a new-to-her romance author. With category romance, the commitment, at least of time, is easier. Because, like all of you, Miss Bates likes to get that lift from discovering a gem. Reading Leah Ashton’s Nine-Month Countdown was such an experience for Miss B. Ashton’s Kiss-line category has a few flaws, but it led Miss B. to that wonderful discovery: a romance writer about whom she can say, “I like how your mind works. I want to follow you to see how you’ll surprise, delight, even disappoint me next.” More than anything, it’s how Ashton plays with some contemporary romance conventions that delighted Miss Bates: the unplanned pregnancy, returning soldier, helpless, “caught” heroine and still retain the “fidelity, commitment, decency, and, though hot, minimum in-keeping-with-the-development-of-the-relationship love scenes.” Continue reading