Mary Burchell’s 1970 Child Of Music is the Warrender Saga’s fifth book. Though not MissB’s favourite (see A Song Begins and The Curtain Rises reviews) Burchell is unrivalled in her acute psychological penetration and articulation of character. And this is as evident in Child Of Music as any other Burchell romance.
Burchell’s heroine, Felicity Grainger, is a music teacher with a child prodigy-student in eleven-year-old Janet Morton, orphan and violinist, overshadowed by a hateful aunt. Felicity wants very much to get Janet into the Tarkman Foundation School, a musical foundation nurturing musical prodigies. Sadly, hateful Aunt Julia also happens to have set her sights on Stephen Tarkman, the handsome chief administrator of the Tarkman Trust, which administers and funds the foundation, wealthy himself and possessed of a talent for discovering and nurturing musical genius. Of course, nothing could be more wonderful than getting Janet into Stephen’s school, but Janet suffers from blocks to her playing when Auntie Dearest is around. And, Aunt Julie makes sure she’s around when Janet, with Felicity’s accompaniment, auditions, BADLY, for Stephen. When Stephen expresses an attraction for Felicity, “Aunt” Julie’s enmity and anti-Janet-and-Felicity campaign intensifies. Continue reading
Miss Bates is not a fan of sheikhs, or secret babies (babies yes, but not the secret ones). She loved Graham’s The Billionaire’s Bridal Bargain, the first rom in the series, and wanted to read the second to learn about the heroine’s sister, Chrissie. Lizzie Whitaker, of Bridal Bargain, noticed her university student sister looking sad and stressed in a way she knows is not related to her studies. The reason why is evident in The Sheikh’s Secret Babies; she married Prince Jaul, future king of the Middle Eastern kingdom of Marwan, in haste and repented at leisure, strapped for cash and pregnant. The novel opens four years later with Jaul contemplating marriage to Zaliha, a woman he doesn’t love who will be good for his reign and people. Cue ta-da music … Bandar, his legal advisor, informs him he’s still married to Chrissie. Jaul pegged Chrissie as a “mercenary, hard-hearted” “gold-digger,” after she accepted his father’s five-million-pound bribe to desert him. Little did he know Chrissie was destitute and pregnant in London (after he left for Marwan without her) until Lizzie and Cesare came to her and soon-to-be-born twins rescue. Though Chrissie doesn’t deserve it, Jaul thinks the decent thing to do is go to London, inform Lizzie about their still-married state, and ask for a divorce. Continue reading
When Miss Bates re-started reading romance eight years ago, she combed AAR’s reviews for titles. One of those was Kathleen Eagle’s nearly-DIK-status The Last Good Man, a romance novel about a heroine living in the after-math of breast cancer treatment and a torch-carrying hero. The details about the heroine’s illness were raw and realistic and Miss Bates thought the novel honest and worthy. The romance wasn’t half as interesting, the least memorable aspect of the book. When an Eagle category became available, Miss Bates wanted to give Eagle another try to cement what she thought of her writing and the stories she tells.
In the South-Dakota-set Never Trust A Cowboy, Eagle tells the story of a signature Lakota Sioux hero, Delano Fox, and heroine, Lila Flynn, who shares a cattle ranch with her father, Frank, stepmother, and stepbrother. Her stepbrother, Brad, meets cow-hand Delano at the local watering-hole and hires him. But Delano is not an itinerant cowboy: he actually works a mysterious, Miss Bates would say vague, law enforcement job catching cattle rustlers. Brad, it appears, is running such an operation out of his step-father’s ranch. While Delano investigates the rustling, he gets to know Frank’s daughter, Lila. Lila lives by herself in the house her grandmother left her and has little to do with her father’s new family. She runs a daycare centre out of her barn, as well as what appears to be a lending library. The chemistry between Del and Lila is immediate and potent. But what of Delano’s secret mission? And why does Lila isolate herself on the ranch? Why is she withdrawn and sad? Nevertheless, the attraction between them, peppered with banter, burns strong. Continue reading
Maybe This Christmas is Sarah Morgan’s third contemporary romance in the O’Neill series, preceded by Sleigh Bells In the Snow and Suddenly Last Summer, both of which are in Miss Bates’ Teetering TBR. Starting with the third in the series did not deter from Miss B’s enjoyment. The start was a tad wonky with characters from the previous books showing up in various states of blissful couple-hood, as well as sundry O’Neill family members who’d obviously been established as secondary characters in previous books. Maybe This Christmas, gloriously-set in small-town-Vermont winter wonderland, in fictional “Snow Crystal,” is a friends-to-lovers romance narrative high on humour, but no less on gravitas in two hurting friends admitting to love. The heroine, Brenna Daniels, has carried a smouldering love-torch for Tyler O’Neill since they were best buddies in high school. Single-dad, former Olympic skiing champion, and notorious womanizer, Tyler, has in Brenna the one relationship with a woman he’s yet to abandon. Continue reading