REVIEW: Lucy Parker’s THE AUSTEN PLAYBOOK

Austen_PlaybookLucy Parker writes one of my favourite contemporary romance series, “London Celebrities,” with heroes and heroines as denizens of London’s West End theatre scene. In the series’ fourth volume, however, the West End is in the background. Heroine-actress Freddy Carlton (for Frederica, a nod to Heyer?) joins the cast of a “digital mash-up of characters from different Jane Austen books, transplanted into a murder-mystery, house-party scenario. Outcome guided by the choice of the player,” that is, the televison and app audience. All taking take place on a estate, à la Downton Abbey. The estate, 16th-century Highbrook Wells, magnificent and crumbling, is the mortgaged-to-the-gills family home of acerbic theatre critic and Freddy nemesis, James “Griff” Ford-Griffin. Griff can’t afford to say no to the “digital mash-up” and the company of actors, Freddy too, arrives at Highbrook as if it’s Elsinore. Put Griff and Freddy together in this enforced intimacy and let sparks fly: antagonists to lovers, opposites-attract denying their attraction. Not really. This isn’t a criticism. Parker hasn’t written what at first appears to be your romance trope of antagonists-to-lovers. No matter how witty and thick the banter ( it is fabulous), Parker juggles three simultaneous narratives, of which the romance between Freddy and Griff is the gentlest, the most assured of a positive outcome.
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