In 1817 London, 20-year-old heroine Georgette Frost, “accustomed to flights of imagination” leaves the family business, Frost’s Bookshop, to seek her fortune, in pursuit of reward money for locating 50 000 Royal Mint stolen gold sovereigns. Hero Sir Hugo Starling, 32, Georgette-described “hawkish of feature, and stuffy of temperament … [r]epresentative of everything chill and sterile about the life of the mind: study, solitude, and sternness,” discovers boy-clad Georgette on her way to adventure and fortune. As a self-styled stodgy rescuer of females and taker-carers of everyone, doctor and younger son of a duke, Hugo cannot allow Georgette to proceed on her foolish errand without protection. He resolves to return her to his friend and her brother, Benedict, and she resolves to foil him. Theresa Romain’s witty pen is immediately evident in Passion Favors the Bold. Among histrom writers, Romain is gently humorous and deeply compassionate towards her characters and never more so than in her second Royal Rewards romance.
Theresa Romain writes despondent romances. Her characters are noble and good; her prose is elegant. Her hero and heroine are in a bad place when we meet them. Miss Bates likes that Romain doesn’t lay the angst on thick, however. Her characters’ sadness is perniciously persistent, like a low-grade fever. Things are wrong somewhere, but the appearance of things seems all right. Every time Miss Bates reads one of Romain’s romances, she frequently doubts she’ll finish it. And yet, each time, she does and is quite satisfied and rewarded by Romain’s HEA.
Romain’s latest, Fortune Favors the Wicked is typical of the author. In 1817, retired, blind Royal Navy Lieutenant Benedict Frost arrives in London, from on board “The Argent,” to sell his sailing memoir to publisher George Pitman. His minimal pension means he can’t offer Georgette, his sister, anything but a pittance. He hopes his soon-to-be-best-selling memoir will save the day when Georgette leaves their cousins’ home upon reaching her majority. He also learns that 50 000 pounds-worth of the king’s gold was stolen. When his manuscript is rejected, Benedict realizes the reward money may serve to help Georgette. He sets off for Derbyshire to recover the gold and win the reward money. Meanwhile in Strawfield, Derbyshire, we meet heroine Miss Charlotte Perry, vicar’s daughter. She too aims to ensure a young relation’s welfare: her ten-year-old niece, Maggie, named after Charlotte’s deceased sister, Margaret. Charlotte is also in search of the gold. Benedict and Charlotte’s meet-cute is inevitable.
In Secrets Of A Scandalous Heiress,” the final volume in her Regency-set Matchmakers trilogy, Theresa Romain offers a romance as much about identity as finding and keeping love. Miss Bates read and loved the second in the trilogy, To Charm A Naughty Countess. The former follows the latter in theme and concern, though reading Scandalous Heiress as a stand-alone doesn’t require any previous knowledge. Romain loves to create characters who are on the fringe of a rigid and judgemental ton: they may have a whiff of scandal, or peculiarity about them. Their romance narratives see the working-out of how they accept, relish, and come to enjoy happiness despite their marginalized positions. Romain’s romances are not cross-class, but are concerned with class no less.
The eponymous scandalous, secretive heiress is Augusta Meredith. She and hero Josiah “Joss” Everett meet in Bath’s Pump Room. They share a previous, vague acquaintance and have been aware of each other as living on the fringes of the ton: Josiah, by virtue of his blood (his mother was half-Indian); Augusta, by virtue of class (her parents made oodles of money with a built-from-humble-origins cosmetics company). Their arrival in Bath comes from dissatisfaction and dilemma. Augusta recently lost her parents and was lied to and abandoned by a worthless lover. She poses as the widowed Mrs. Flowers to find a lover, hoping that an affair will assuage her grief and heart-ache. Josiah, who works as his cousin’s, Baron Sutcliffe’s, man of business is trying to uncover the baron’s blackmailer. They encounter, recognize, and agree to help each other achieve their goals. The opening chapter is filled with wit and banter, note Josiah’s consideration of Augusta’s figure, “a young woman with more curves than subtlety.” Augusta, on her part, notes Joss’ sandalwood scent, hinting of his heritage and, as she later observes, “a man of kind hands and unexpected honour.” They are attracted to each other; while class doesn’t separate them, money does. Augusta is “heiress to a cosmetics fortune” and Joss wants to scrape together a hundred pounds to leave his dissipated, immoral cousin’s employ. When she proposes that he become her lover, he refuses, citing his integrity and self-possession. He wants her, though. Continue reading
In keeping with Miss Bates’ fa-la-la posting until the 25th of the month, she dipped, this time, into the e-ARC TBR and from therein pulled Theresa Romain’s Season for Desire. The cover was pretty; out since October 7th, it deserved its spot on MBRR and Miss Bates had enjoyed To Charm A Naughty Countess. For brevity’s sake, Season‘s blurb:
Like her four sisters, Lady Audrina Bradleigh is expected to marry a duke, lead fashion, and behave with propriety. Consequently, Audrina pursues mischief with gusto, attending scandalous parties, and indulging in illicit affairs. But when an erstwhile lover threatens to ruin her reputation, Audrina has no choice but to find a respectable husband at once. Who would guess that her search would lead her to Giles Rutherford, a blunt-spoken American on a treasure hunt of his own? When a Christmas snowstorm strands the pair at a country inn, more secrets are traded than gifts – along with kisses that require no mistletoe – and Audrina discovers even proper gentlemen have their wicked side.
Um, no … the novel is both more serious and yet less interesting than the blurb makes it out to be. The blurb’s fun frivolity is no where to be found. The faux seriousness of the novel, in turn, makes it drag and fizzle. A convoluted plot, too many secondary characters, and a hero and heroine who barely interact left Miss Bates cold. Continue reading