REVIEW: Victoria Dahl’s TAKING THE HEAT From Living a Lie

Taking_HeatReading Victoria Dahl’s Taking the Heat means taking the heat. To a love-scene-shy reader like Miss Bates (what else when you’ve lived in a Jane Austen novel?), Dahl’s raw love scenes stand in contradistinction to Miss B’s sensibilities. But Dahl convinces in the best way possible: intelligently, using love scenes to reveal character, show growth, and develop a relationship from superficial fun to emotional stakes that come with vulnerability and openness to the Other. Taking the Heat follows from the thematic concerns we saw Dahl work through in the novel that precedes it in the Girls Night Out series, Flirting With Disaster.

Taking the Heat picks up on the woebegone friend of Isabelle and Lauren, Veronica Chandler, a mysterious young women, déprimée, dominated by her powerful, indifferent-to-her judge father, and difficult to know. But Isabelle and company befriend her and bring her along on their girls night outs. Getting to know Veronica is one of the pleasures of Taking the Heat: she’s an endearing heroine. She’s funny, kind, and intuitively smart, which serve her well because she’s “Dear Veronica,” the local rag’s advice columnist. When we meet her, her publisher-editor has talked her into a stint at the local bar where she’ll pull Dear Veronica letters out of a fishbowl to respond to as bar patrons listen. She’s terrified and, as we soon learn, feels a fraud. Veronica Chandler is a girl living a lie: she dispenses advice like a pharmacist eking out pastilles, but she’s a virgin whose dream of big lights big city ended in failure. She returned to Jackson, Wyoming, needing her father’s help to find work and a place to live. Much of the novel’s success lies in witnessing Veronica’s emergence into strength and confidence without losing her generous heart. Our Veronica-butterfly comes forth from the chrysalis of her encounters with Gabe Mackenzie, librarian, rock climber, search-and-rescue officer, looker and lover extraordinaire. Continue reading

Another One of Those Sort-Of REVIEWS: Victoria Dahl’s FLIRTING WITH DISASTER and Betrayal in Romance

Flirting_With_DisasterIf you’re literal-minded, or a prig, or easily titillated, the stand-out elements of Victoria Dahl’s Flirting With the Disaster are explicit love scenes and the hero and heroine’s foul mouths. These may be good reasons to read Dahl’s contemporary romance, or reject it in outrage. Which is why Miss Bates wants to get the review part over with pronto. Because she has other things to say. The first quarter or so, the set-up, left Miss Bates dubious: like taking that first bite of a new dish. The uncertainty: “Do I like this? What’s that strange flavour?” By the time the heroine’s combination of vulnerability and independent spirit were established, she was a fan. The hero had to work harder to win her. By the time things were heart-wrenching, she was a goner. If you don’t want to read how Dahl’s romance about U. S. marshal hero, Tom Duncan, and hermit-artist heroine, Isabelle West, got Miss Bates thinking about genre conventions, don’t read on. Read the novel (consider yourself warned about its rawness; she’ll let its tenderness take you by surprise). Then come back, tell her what you think about what follows. Or not. As long as you read it. Continue reading