Linda Howard’s Mackenzie’s Mountain and Mr. Perfect were two of the first romances I read and loved. When Howard “returned” to romantic suspense with Troublemaker in 2016, I was thrilled. I can’t say I loved the latter with the same giddy enthusiasm I read my first Howards, but her latest, The Woman Left Behind? Wow, is it ever terrific!
There’s enough signature Howard to please her earliest fans and more than enough to earn her new ones. Howard sees a conventional romantic suspense premise turn into something original, yet familiar, fresh, yet Howard-satisfying. The Woman Left Behind opens with the villain, a traitorous, vengeful Congressman bent on destroying Alex Macnamara’s GO-Teams, government-sanctioned paramilitary groups Macnamara leads, who fight threats to US security. The GO-Teams are made of big, bad, muscle-bound dudes with patriotic hearts, wise-cracking mouths, and superhuman physical abilities. Continue reading
“The choppers appeared just after the sun.”
Human beings make sense of experience’s ephemerality by embodying it in art. Maya Lin’s controversial Vietnam Veterans War Memorial was/is integral to healing war’s wounds. It offers solace and remembrance as vets and families, foreigners and natives, bring offerings of flowers, pictures, etc., touch, wonder, and heal as they meditate on the war’s wastes and ravages (war is a universal experience, is it not?). Yusef Komunyakaa’s Vietnam-War-Memorial-set poem, “Facing It” also embodies the war, recounting a vet’s turbulent, ambivalent emotions as he touches and is reflected in the wall, naming loss, anger, and the ever-present American tragedy of race. (Don’t read this humble post, but read and listen to the poem as linked. It’s powerful.) The humble romance genre offers its embodiment in Kathleen Korbel’s A Soldier’s Heart (1994). The novel’s opening line is the prologue’s introduction to nurse Claire Henderson, who held dying Marine Tony Riordan and willed him to live. Twenty-three years later, Tony’s final act of putting his war wounds to rest, psychic where physical are long-healed, is to seek, find, and thank Claire. What he finds in her haunted eyes is the confusion, guilt, and self-destructive impulses of his own struggle with PTSD. Continue reading
Kiss Me Hello is third in Grace Burrowes’ Sweetest Kisses contemporary romance series. Miss Bates isn’t sure how, or why she missed the second, The First Kiss, but she enjoyed the first, A Single Kiss, and you may read about why here. Miss Bates is certain the second was pretty much like the first, and the third is much like the first two. Because Burrowes has her signature and Kiss Me Hello runs true to form: characters are painted in black and white, men are gentle, if brusque, care-givers, and women are nurturing, tough cookies, but a bit of a mess. If her formula works for you, then her books will deliver consistently. Like most romance readers, however, while the genre remains the reading material of choice, the formulas can delight, or grate. Miss Bates has written about how Burrowes can grate here. She would still maintain, after reading Kiss Me Hello, she prefers contemporary to historical Burrowes. The Sweetest Kisses series is built around three brothers who run a successful law firm in small-town Virginia. Kiss Me Hello is the story of the eldest Knightley (and the name is telling, yes) brother, Mackenzie, and newly-arrived-in-Damson-County foster mom, Sidonie Linstrom. What Sidonie doesn’t know is that she inherited the Knightley brothers ancestral home … as well as their two massive childhood horses, Daisy and Buttercup, bringing defence lawyer Mackenzie, in his farrier incarnation, to her door. Continue reading