It was nice to start the reading year with a quiet book, with flawed, believable characters, and still get a satisfying HEA. That’s Noelle Adams’s The Return. In a way, it reminded me of another recent read, Lacy Williams’s Small-Town Girl. Adams and Williams manage to convey a certain grit to their heroes and heroines and yet still imbue them with vulnerability and kindness. It’s nice to read, refreshing. My reading world didn’t rock, but it had a nice gentle swing, leisurely and hopeful, for the few days I spent in The Return‘s company. It helped that The Return is a second-chance romance for two good people: florist Ria Phillips and the boy who loved her and left her just when they were new lovers at eighteen, Jacob Worth. The novel opens with more humour and light-heartedness than it ends, despite its HEA. At its opening, Ria is trying to convince her town that, after eight years, she’s NOT holding a torch aloft for Jacob Worth. Until he “returns” to Azalea, Virginia, as his grandfather lies dying (turns out grandfather had a lot to do with why Jacob abandoned Ria and none of it good on gramps’s part). It’s obvious from their first reunited meeting that these two love each other and belong together, but there’s plenty of hurt and years and change to integrate into a new relationship. No matter how difficult and valid Jacob’s reasons were for leaving, he still left without explanation and never again contacted Ria. He was young, proud, hurt, and stupid. But he’s an awfully nice guy and gets softer and more vulnerable as the novel progresses. (more…)
Like Clayborn’s hero, Alex Averin, I don’t like “luck” … well, the idea of it, anyway. I don’t like its randomness and I don’t like its hidden possibility in what might NOT happen. It played a much larger role in Clayborn’s third “Chance Of A Lifetime” romance than in the previous one I’d read. In Luck Of the Draw, luck was the set-up: three friends win the lottery and how they use the money puts them in certain circumstances, ones they wouldn’t’ve been in had they not won. It didn’t seem all that important to Luck Of the Draw, but in Best of Luck, it becomes an ongoing debate between hero and heroine. Heroine Greer Hawthorne has reason to believe she’s lucky, not only because of the money she won, but what fate dealt her: an illness that marked her childhood and adolescence and continues to be a daily reminder of both how lucky she is and how unlucky. What are the odds of being diagnosed with a life-altering birth-defect? As good as the odds that the surgery Greer had would help her lead a more active, engaged life. “Luck” for hero Alex is a bane and reminder of a childhood of want and neglect, thanks to his “luck-dependent”, gambling-addicted father. (more…)
I confess the reason I wanted to read Amie Denman’s In Love With the Firefighter was the cute cover. I pride myself on selecting my titles for my precious reading time with the confidence that this is an author I’ll enjoy; ALL are carefully curated. BUT, *throws hands up*, the kitten got me … also the word “firefighter”. I do love a firefighter hero, so much easier to pull off than policemen, or military, so much more convincing as heroes. I admit I was leery of the “heartwarming” label: how saccharine will this be? I’m as guilty as the next romance reader of being addicted to the Hallmark Christmas movie, but I don’t want to watch them year-round. I’m happy to say that Denman’s Firefighter+kitten takes place during a hot Virginia-Beach-like summer in fictional Cape Pursuit and is surprisingly un-saccharine. It opens with firefighter Kevin Ruggles and his firefighting crew barrelling through tourist-heavy streets to reach the site of a fire. Though Kevin is a seasoned rig-driver/firefighter, the call’s urgency sees his fire-truck swerving skills take down a double-parked car’s driver-side door. Said car belongs to newly-arrived-to-Cape-Pursuit heroine, Nicole Wheeler. Their meet-cute is hardly the stuff of romance, more of annoyance, insurance claims, and shame-faced remorse on Kevin’s part. (more…)
I am a stubborn cuss and resisted the lure of Clayborn’s much-lauded first romance, Beginner’s Luck. As my Twitter handle says, “always late to the game”! I confess I’m here to sing praises. I won’t even do it very well because I was up till the wee hours polishing off Luck Of the Draw, despite having a full work day with several important, need-to-be-alert meetings slotted in it. But here I am and here we are and I’m tethered to the cheering bandwagon.
There’s another reason I wasn’t keen on Clayborn’s first, or second for that matter, other than the romance cheering section; more pernicious to me was the alternating first-person narration: heroine/hero, heroine/hero, like that. When one of my favourite romance writers, Ruthie Knox, went first-person-rogue on me, I was annoyed, but I followed. (I’ve only ever fully forgiven first-person narration in my favourite novel of all time, Jane Eyre.) So, between the squee and the self-conscious “I’s“, Clayborn had to work hard to thwart my side-eye. But foil it she did, by keeping the action on its toes; the characters, compelling and lovable; and by a perfect balance of humour and angst (my favourite narrative tone/mood). What I couldn’t fault her for? The premise was all kinds of tropish catnip.
Linda Howard’s Mackenzie’s Mountain and Mr. Perfect were two of the first romances I read and loved. When Howard “returned” to romantic suspense with Troublemaker in 2016, I was thrilled. I can’t say I loved the latter with the same giddy enthusiasm I read my first Howards, but her latest, The Woman Left Behind? Wow, is it ever terrific!
There’s enough signature Howard to please her earliest fans and more than enough to earn her new ones. Howard sees a conventional romantic suspense premise turn into something original, yet familiar, fresh, yet Howard-satisfying. The Woman Left Behind opens with the villain, a traitorous, vengeful Congressman bent on destroying Alex Macnamara’s GO-Teams, government-sanctioned paramilitary groups Macnamara leads, who fight threats to US security. The GO-Teams are made of big, bad, muscle-bound dudes with patriotic hearts, wise-cracking mouths, and superhuman physical abilities. (more…)
“The choppers appeared just after the sun.”
Human beings make sense of experience’s ephemerality by embodying it in art. Maya Lin’s controversial Vietnam Veterans War Memorial was/is integral to healing war’s wounds. It offers solace and remembrance as vets and families, foreigners and natives, bring offerings of flowers, pictures, etc., touch, wonder, and heal as they meditate on the war’s wastes and ravages (war is a universal experience, is it not?). Yusef Komunyakaa’s Vietnam-War-Memorial-set poem, “Facing It” also embodies the war, recounting a vet’s turbulent, ambivalent emotions as he touches and is reflected in the wall, naming loss, anger, and the ever-present American tragedy of race. (Don’t read this humble post, but read and listen to the poem as linked. It’s powerful.) The humble romance genre offers its embodiment in Kathleen Korbel’s A Soldier’s Heart (1994). The novel’s opening line is the prologue’s introduction to nurse Claire Henderson, who held dying Marine Tony Riordan and willed him to live. Twenty-three years later, Tony’s final act of putting his war wounds to rest, psychic where physical are long-healed, is to seek, find, and thank Claire. What he finds in her haunted eyes is the confusion, guilt, and self-destructive impulses of his own struggle with PTSD. (more…)
Kiss Me Hello is third in Grace Burrowes’ Sweetest Kisses contemporary romance series. Miss Bates isn’t sure how, or why she missed the second, The First Kiss, but she enjoyed the first, A Single Kiss, and you may read about why here. Miss Bates is certain the second was pretty much like the first, and the third is much like the first two. Because Burrowes has her signature and Kiss Me Hello runs true to form: characters are painted in black and white, men are gentle, if brusque, care-givers, and women are nurturing, tough cookies, but a bit of a mess. If her formula works for you, then her books will deliver consistently. Like most romance readers, however, while the genre remains the reading material of choice, the formulas can delight, or grate. Miss Bates has written about how Burrowes can grate here. She would still maintain, after reading Kiss Me Hello, she prefers contemporary to historical Burrowes. The Sweetest Kisses series is built around three brothers who run a successful law firm in small-town Virginia. Kiss Me Hello is the story of the eldest Knightley (and the name is telling, yes) brother, Mackenzie, and newly-arrived-in-Damson-County foster mom, Sidonie Linstrom. What Sidonie doesn’t know is that she inherited the Knightley brothers ancestral home … as well as their two massive childhood horses, Daisy and Buttercup, bringing defence lawyer Mackenzie, in his farrier incarnation, to her door. Continue reading