Miss Bates loves Christmas: stars, trees, lights, baking, candle-lit church services. Carols! She decorates; she cuts out gingerbread people. She even mails Christmas cards. And, with Mrs. Bates, they haul a beautiful sapin de Noël up the narrow staircase to her apartment and spend happy hours with tinsel, glitter, garland, and ornament. Early December finds her ribbon-cutting the season by bringing out her Christmas tea mugs. Every year, on November 25th, the feast day of St. Catherine, patron saint of spinsters (also lace-makers) Miss Bates embarks on a month-long reading of Christmas-themed, Christmas-set romances. The genre presents her with a plethora of choices and the covers are sentimental favourites. She’s read some duds and she’s read some wonders. Here are her wonders; if you’re a Christmas-romance fan, you might have read them, or you might consider reading one, or two 😉 this year. Continue reading
Welcome, Willaful, to the Alphabet Challenge! Whittling the TBR one letter at a time! For her “E” read, Willaful read a meh m/m romance, but her voice is droll and astute.
Miss Bates returns to her personal, too-long-abandoned TBR challenge: reading through the Doddering TBR one alphabetical letter at a time. She last posted in this vein in September of 2013! In tackling “e,” Miss Bates opted for a book about which she knew bupkis, but whose cover drew her: a foxy-looking pooch, pretty little girl, and smiling man in high-waisted jeans and bare feet, also leis … it looked awful and turned out great. In Margot Early’s 1996 Harlequin Superromance, Mr. Family, Miss Bates had the rare experience of reading an unexpected, unusual, a true original of a romance. Mr. Family blew her away: it was unlike anything she’s read in romance fiction in ages. Though it dragged in a few places, and its suffering-protagonists’ pitch had strident moments, it was terrific. She hopes that her post urges some of MBRR’s readers to try it: she’d love to hear what new readers make of it. It stands a cut above mundane contemporary romance in several ways: its believable portrayal of a modern marriage-of-convenience narrative (with epistolary element!) its treatment of grief and loss, self-loathing and sexual frigidity, its extensive creation of a cultural context for the protagonists and portrayal of religious ritual that isn’t Christian romance-inspirational. Continue reading