Miss Bates loved Emma Barry’s The Easy Part trilogy of political romances. Its trio of committed, intelligent, patriotic couples can serve as an antidote to the awfulness of the present election campaign. If you haven’t, you should read it. Though Barry was tried and true for Miss Bates, she had doubts about Barry’s dual writing effort with Gen Turner. Miss B’s wariness was dispelled with the first title in the Fly Me To the Moon series, Star Dust. Earth Bound‘s hero featured there as the shouting, unsmiling, mean engineer Eugene Parsons. Neither Parsons nor his heroine Dr. Charlie Eason are sunshine and light. Parsons hires Charlie as part of the team trying to beat the Soviets to the moon in 1960s America. As a woman in a man’s world, Barry-Turner make real the viscerally painful experience of being dismissed and overlooked even when you’re the smartest person in the room. Miss Bates felt Charlie’s anger and frustration as she would were she right there being smart and ignored. MissB burned up for Charlie on so many occasions while reading Earth Bound. Navigating the male world while playing the beautiful woman card and hiding your intellectual light is all too familiar to women. Except for demanding, insufferable Eugene, with whom Charlie embarks on an illicit and seemingly sordid, anonymous affair. Only to the hypocrites. Charlie and Eugene may at first only give and take bodily pleasure, but the heart and head of two compatible, beautiful loner-outsiders will have their way.
Truth be told, Miss Bates always starts a new-to-her inspy author with trepidation, afraid of the niggling criticisms directed at the sub-genre. Evangelical Christianity is a foreign land to Miss B’s smells-and-bells faith, heavy on the ritual, light on the scripture. And Becky Wade’s Her One and Only ran true to type: the characters are evangelical Christians, alcohol-consumption is demonized, and characters pray, are transformed, surrender to God, but don’t participate in ritual. And yet, Wade’s fourth Texas-set Porter Family series novel also runs atypically. Miss Bates was surprised by and pleased with it. For one, heroine Dru Porter is a bodyguard, set the task of protecting football player Grayson Fowler from a stalker. Dru packs heat, chops hulky men with karate expertise, drives a motorcycle, and brings grit and discipline from her days as a marine. She’s direct, funny, feminist, and faithful. Her large Porter family of older brothers, loving parents, nieces and nephews aren’t cutesy-sweet. They’re funny, fun, faithful yes, but possess a casual irreverence that puts them above your holier-than-thou inspy clan. And hallelujah to that … Continue reading
Ever since she was a tween, Miss Bates has loved the film version of Breakfast At Tiffany’s. Miss Bates cannot resist the ethereally beautiful, vulnerable Audrey Hepburn or poignant Golden-Boy George Peppard. What Blake Edwards made of Capote’s novella is pure romance-genre romance. More than anything, Miss Bates loved watching two morally compromised characters find love. They are, of course, morally compromised in their eyes, not the viewers’. Their growing love helps them re-evaluate who they are, see themselves in a better light, and give themselves what they deserve: love and belonging. In Nicole Helm’s Outlaw Cowboy, second in the Big Sky Cowboys series, Miss B. found just that, a viscerally satisfying romance about two people who are hardest on themselves emerging out of their dark nights of solitude to love, connection, family, and hope. Caleb Shaw is Mel Shaw’s brother; Mel is the heroine of Helm’s first romance in the series, Rebel Cowboy. That novel opened with Mel’s struggles to keep the Montana family ranch afloat. Bro’s on the bottle and father, paralyzed in an accident five years ago, has given up, checked out, and broods throughout the family home. When Outlaw Cowboy opens, baby bro Caleb has taken the ranch reigns. He’s stopped drinking and desperately wants to retain ownership of the family land. Caleb is haunted by his mother’s abandonment and one terrible night he almost beat a man to death when he saw him holding a gun to his daughter’s head.
Miss Bates greatly looked forward to Joanna Shupe’s Magnate. She loves the Gilded Age setting and an opportunity to read a historical romance “beyond-the-Regency”, with characters from America’s class system. Because, make no mistake, Shupe’s romance is a cross-class romance. Heroine Lizzie Sloane is a blue-blooded beauty from one of New York City’s oldest and most prestigious families. However, there is a hint of failure with, of finances gone awry for, the Northeast Railroad Company her family owns. William, Lizzie’s brother, struggles to keep the family fortunes running. What he won’t accept is help from his baby sister. Unlike the social-whirl focus of most young women of her circle, Lizzie wants to operate her own stockbroking company – unheard of for a woman in the day and age! But Lizzie is as determined as she is beautiful. She brings her appeal to a self-made man, a man whose past is couched in the poverty and violence of his Five-Points childhood, Emmett Cavanaugh. Emmett is big, powerful, fastidious, and unrelenting in his pursuit of wealth and influence. Lizzie, who’s aware of her attempt to flout social conventions, believes she’ll find a kindred spirit in the man who had to break them down to prove his mettle and worth. While Lizzie’s worth comes in gown-form, she does find, if not a kindred spirit, at least someone who listens to her plans and ambitions.
(Lately, Miss Bates has been thinking about how reading interweaves with our everyday lives. Maybe it’s because she’s having onerous days at work, maybe because she’s nursing a wicked head cold, but she was very much aware of what it meant to come home quite late, after a long and difficult day, and find a book waiting for her. A romance novel, even as this one, Jodi Thomas’s Lone Heart Pass, without much romancy romance, without sexy times, and with a meandering cast of characters, often NOT the hero and heroine. And yet, it was viscerally satisfying to know that good will triumph, brokenness healed, loneliness assuaged, and families melded.)
Jodi Thomas’s Lone Heart Pass is romance #3 in the Ransom Canyon series. No one book stands out as memorable, but the series itself stays with Miss Bates as a place of refuge. After reading the third book, Miss Bates realized that each novel’s romantic central couple fades and the characters who remain are the ones who appear to us book in, book out: the lonely, stalwart Sheriff Brigman, his ethereal daughter Lauren, her love for the elusive Lucas Reyes, and the retired teachers of the Evening Shadows Retirement Home. Most of all, Miss Bates carries with her Thomas’s fictional town as a “crossroads,” also the town’s literal name (place names in Thomas’s series are allegorical) where hero and heroine leave the broken past behind (often covered in family enmity and strife) and build a new world of love and family; black sheep are taken in; and community is healed. Continue reading
(Dear Readers, Miss Bates continues to toil at the day-job above and beyond the call of duty. But when Friday night rolled around, she needed to put the feet up, brew the green tea, add the honey, and read the romance. It was a good one and there was late-night-in-bed reading. And this is why today, she offers her 300th review, compact as heroine Sierra West in Maisey Yates’s One Night Charmer.)
A Maisey Yates review is apropos for Miss Bates’s 300th. Yates is one of her favourite contemporary romance authors, balancing a visceral contemporary voice with traditional-values rom-HEA (marriage and babies). Her characters fall in love, work things out, and commit, but also go on a journey that transcends their weighed-down-with-negativity past. This is no less true for One Night Charmer than all the fabulous Copper Ridge novels and novellas. Moreover, One Night Charmer‘s elements are missbatesian rom-nip: an older, surly hero, wounded and jaded, a “bouncy”, smart ingenue heroine, drunken sex, the wages of sin, marriage-of-convenience, and a baby-filled epilogue. Continue reading
(With this Miss Bates’s 299th review, she confesses to a slight and temporary change of direction. Miss Bates has taken new professional responsibilities at the day-job and must curtail her reading and blogging activities. The plan is to post a mini-review once-a-week. Gone, for the present, Miss Bates’s deliciously loquacious review-posts. In their place, what Miss Bates hopes will be shorter reviews, still helpful and interesting to her readers.)
Through the Storm is Rula Sinara’s third From Kenya, With Love romance. Miss Bates loved and reviewed the first, The Promise Of Rain. Heroine Tessa is married to Brice Henning and bringing up her nephew, her sister’s son, Nick. Maria and husband Allan were killed in an airplane crash. Brice offers Tessa what she’s craved since a child, stability, safety, security. Growing up with environmentalist-sailing parents, Tessa lived a childhood of fear, always apprehensive her parents would never return from their dangerous missions. With the loss of her sister, Tessa’s fear are re-awakened. When she suspects her husband of taking part in the unethical ivory trade, she must expose him. But first, she must ensure Nick’s safety. Continue reading
Manda Collins’s (a new-to-Miss-B-romance-writer) Good Dukes Wear Black is third in her Lords of Anarchy series. Though Miss Bates hasn’t read the first two, she can safely say there’s nothing anarchic about Good Dukes Wear Black‘s hero, Piers Hamilton, Duke of Trent, from hereon referred to as Trent (Miss B., and thankfully, Collins, dislikes the name Piers). Au contraire, Trent is a sublime hero: generous, understanding, with just the right amount of protective bluster to endear him to reader and heroine. Our heroine is Miss Ophelia Dauntry, journalist on all things needlecraft at the Ladies Gazette. Collins ensures Trent and Ophelia’s acquaintance by making them friends to the heroes and heroines of the first two Lords of Anarchy novels. Though long acquainted, Trent and Ophelia are only aware of each other as attractive, available young people when circumstance bring them even closer. Ophelia’s fellow journalist, Maggie Grayson, is taken by two thugs (Maggie trying to fend off the brutes and getting a good boink to the head in the process) ostensibly on her husband’s orders because Maggie’s gone mad. Maggie’s husband, George Grayson, was one of Trent’s soldiers in the Napoleonic Wars. When George disappears and Ophelia discovers that Maggie may have be taken because of her investigative work into the mental institution’s unethical practices, Trent and Ophelia set out, as friends, to find Maggie and George and bring the culprits who took them to justice.
Miss Bates has never NOT had a book on the go; once she finishes one, she has the next lined up. Sometimes, new-book-starting is a desultory affair: tepid, reluctant, maybe even a tad depressing. “Will this satisfy my reading-pleasure-principle?” “I have limited reading time, will this be worth the precious half hour I have nightly?” MissB started reading Maisey Yates’s Take Me, Cowboy in this mode: half-heartedly, maybe even sullenly. But she’d loved so many Yates-romances and went into that good-reading-night anyway. Yates’s Oregon-set Copper Ridge series has had one winner after another, would Take Me, Cowboy exhibit series-exhaustion?
Certainly the romance’s opening had Miss B. scowling: wait a minute, this sounds awfully like the last Yates Miss B. read: Bad News Cowboy, with its plain-Jane, best-bud heroine and looker-womanizer hero who find themselves on friendship’s wrong side, as lovers, prey to powerful desires and frightening feelings.
Lauren Layne is a new-to-Miss-Bates romance writer. Miss Bates read the third in her New York’s Finest series, Cuff Me, without reading the first two. Miss B. makes two conclusions: one, Layne is a rom-writer she wants to read again; and, two, part of the reason is, though third-in-series, Cuff Me didn’t have that tired-formulaic feel that too many “series” books do. It helped that Cuff Me has one of Miss Bates’s favourite rom-tropes, opposites-attract, especially when the opposites are a grumpy hero and effervescent heroine. Layne’s contemporary romance reminded Miss Bates of Maisey Yates’s Part Time Cowboy, which Miss B. adored. So if you love Yates’s Copper Ridge series, you’re sure to love Cuff Me.
Our curmudgeon-hero is Vincent Moretti, one of the NYPD’s finest homicide detectives, his perfect-solution record testifying to his abilities. His bubbly, tiny, blonde partner is Jill Henley. Together, playing on their bad-cop-good-cop personas, they’ve been getting their man for six years. When the novel opens, Vin is anticipating Jill’s return from Florida, where she’s been taking care of her injured mum. Vin’s restless desire to see Jill again perturbs him. He adorably grunts through a haircut, a further sprucing up at his apartment, and several rides around town trying to find the perfect welcome-home gift. He finally settles on her favourite donut, which he brings in a crumpled paper bag to his family’s celebratory dinner on Jill’s behalf. Vin’s close-mouthed happiness at seeing Jill again is dashed when his brothers and sister Elena, Jill’s BFF, corral him at the door to tell him about Jill’s engagement.