I never have been, nor will I ever be a fan of the genre novella. The reader-deliciousness of romance and mystery is in the sinking-in for a long, luxurious, fully-developped read. (Despite its spareness, I would say that a great category romance accomplishes this very thing as well.) BUT two of my favourite authors were featured in this inter-connected anthology of novellas and I couldn’t resist. I was especially lured by the promise of Kearsley and Harris goodness, even though Harris’s narrative isn’t Regency-set, nor features my frisson-inducing favourite hero, Sebastian St. Cyr, but I’ll take what I can get. I thought the premise and historical arc, linked by this “cursed” pocket-watch, intriguing:
A stellar line-up of historical mystery novelists weaves the tale of a priceless and cursed gold watch as it passes through time wreaking havoc from one owner to another. The characters are irrevocably linked by fate, each playing a key role in breaking the curse and destroying the watch once and for all.
From 1733 Italy to Edinburgh in 1831 to a series of chilling murders in 1870 London, and a lethal game of revenge decades later, the watch touches lives with misfortune, until it comes into the reach of one young woman who might be able to stop it for good.
The four novellas are inter-connected by the watch, as well as the four elements: the watch must endure a test by air, earth, fire, and water before the curse can be broken. The anthology had everything necessary to make for a great read: mystery, a hint of mortality and fate in the cursed-watch motif, and rich historical detail. And yet, while I enjoyed the individual efforts, I can’t say it ever came together … and maybe that is just the nature of the beast. I felt the same way about Willig, Williams, and White’s All the Ways We Said Goodbye. I liked the bits, wasn’t keen on the whole. Kearsley’s and Harris’s efforts, however, were quite enjoyable