About three years ago, Miss Bates loved Maisey Yates’s HP, Pretender To the Throne. Her recent Yates read, Last Chance Rebel, has much in common, though the mythical-kingdom setting is nothing like the small-town-feel of Copper Ridge, Oregon. Nevertheless, both novels are about contending and making peace with the past, recognizing internal patterns hindering connection and love, and how forgiveness of self and others heals us, the other, and the community.
Last Chance Rebel is Yates’s eleventh Copper Ridge, Oregon series romance and more are out, or planned. Yates has created one of the great contemporary rom series around this community. Her view of it is neither rose-coloured nor condemnatory. Instead, she focusses on interweaving various members’ lives as they come face to face with the incontrovertible fact of love, a feeling so strong, so vibrant, and so frightening that Copper Ridge’s men and woman alternately run to and from it. Like Pretender To the Throne, Last Chance Rebel has a physically scarred heroine, scars caused by the hero’s carelessness. Like Pretender To the Throne, family circumstances bring the hero home to confront his past and role in the heroine’s life. Like Pretender To the Throne, the heroine’s rage against the hero is explosive and the hero’s guilt and atonement, spectacular. Continue reading
Jodi Thomas’s Sunrise Crossing is the fourth novel in her Texas-set Ransom Canyon series. Set in fictional Crossroads, Thomas’s novels are about characters at a turning point. They confront their past, demons, and regrets. The sole redeeming facet to their Rubicon-crossing is a different life from the one they led before. This facet takes shape in the form of a man or woman who affects them deeply. Thomas’s characters are changed in two ways: one, the conviction that their lives have gone off-kilter and must be redressed; and, two, that love makes everything worthwhile, meaningful, and joyous. Thomas intertwines several characters’ lives to make their lives fuller, happier, and love-filled. As with the previous three Ransom Canyon novels, Thomas brings together a company of likeable, kind, compassionate, and loving characters, and one or two nasty villains, who are foiled by community, co-operation, and care. In Thomas’s novels, there are people who care, and those who don’t. Continue reading
“Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world” says the inimitable, raspy-voiced Rick in Casablanca. And we in romance-landia think, with that statement, Rick capsized the HEA. World events, ideals and ideologies, peace, order, justice, and equality sitting in every HEA’s background and ensuring it, are imperiled. Then, individual desires for the domestic HEA that completes the romance genre’s narrative cycle, are subsumed by themes greater than those the genre embodies. Miss Bates concurs; recent events make reading fiction, much less romance, difficult. Focus is elusive and the safe spaces we once cocooned in are tottering and toppling. And yet, what greater gift can a free, open, and tolerant country offer its citizens than the safety to make choices, love, live in plenitude and generosity and offer something to the next generation in having or succoring children, plants, animals, knowledge, nature, or art. Embedded in the romance narrative is the conviction that every person has the inner resources, given safety and love, to live without crippling constraints, whether they are internal, or external. Though Miss Bates feels “itchy” and can’t always immerse herself in a romance, she still feels life-affirmation after reading one of its best practitioners. Though she started and dropped it restlessly, she read Sarah Morgan’s Sunset In Central Park, a quiet and lovely romance.
Miss Bates is at the mid-point of her heavy winter: the new parka’s lost its cachet and there are only so many cocoas you can drink. Her romance reading is a great winter sustainer and she’s had a run of good luck with darn good reads lately. The trusted HP, short enough to get through in a few evenings and yet so concentrated on the couple’s romantic journey that it really hits the escapist sweet spot, is a fave pic around this time of year. Jennifer Hayward’s Marrying Her Royal Enemy, third in the mythical Greek-speaking kingdoms of Akathinia and Carnelia series, tells the romantic journey of Akathinian Princess Stella Constantinides and her marriage-of-convenience Carnelian king, Kostas Laskos. Stella and Kostas share a fraught backstory. Their royal families of adjoining kingdoms spent time together, as children, teens, and into adulthood. Kostas’s friendship with Stella’s brothers, Nikanos and Athamos, brought Stella and Kostas together often. Ten years ago one night, Stella waited in Kostas’s bed, her teen crush-faith emboldening her. Kostas squelched his desire for honour’s and frienship’s sake and rejected Stella … even though he wanted her badly. A familiar story to the romance reader and, in Miss Bates’s now-decade-old romance-reading habit, somewhat a tired one. The experience left Stella feeling a failure and harboring dislike and resentment for Kostas.
Miss Bates’s first reading of a Mira Lyn Kelly romance (from the defunct KISS line) left her murmuring “meh, meh, meh”. Her recent Kelly read, May the Best Man Win, The Best Men #1, was a different experience. Miss B’s pre-reading prejudice was wary to say the least, especially in light of that rom-com cover (though she liked the urban background). She side-eyed reading May the Best Man Win for several days before taking the plunge. Once she got into it, however, she knew …
There are several ways you capture Miss B’s reading respect and enjoyment: you make her laugh; you do something tropish-ly clever or twisty; or, you write well, not fancy or original, but smooth, elegant, ease-ful. In this her first of the series, Kelly did all three. Premise-wise, May the Best Man Win is run-of-the-mill. Built around four wise-cracking late-twenties buddies who play best man to a groom-buddy, find love and make their way, bruised and battered (there be reasons) to the altar. The novel uses a clever framing device (Miss Bates LOVES a good frame), opening with hero Jase Foster, staunch bachelorhood in place, playing best man to buddy Dean Skolnic, as only a best man can, by holding a trash can as Dean vomits into it. The other three male friends the series will be built around show up as groomsmen. Jase is caring, but feeling pretty superior as he looks down at nervous-wreck groom. At the end of the novel, with Jase’s own wedding-HEA, we round off with a torn sleeve and cut lip and hint at the next novel’s groom-to-be.
Last year, Miss Bates was introduced to Marguerite Kaye’s work when she read the Comrades In Arms series, The Soldier’s Dark Secret and The Soldier’s Rebel Lover. She loved them and found they brought something new to the tired old Regency romance: truly independent heroines, with will, will power, conviction, and a strong impetus to forge their own destiny and heroes who let them be themselves. In the Hot Arabian Nights series, Kaye brings the same feminist ethos to her heroines and the same consideration to her heroes. In the second book, Sheikh’s Mail-Order Bride, this heroine-centric disposition comes in the form of Lady Constance Montgomery, on her way to India to fulfill her parents’ arranged marriage for her to an English merchant. We learn that “mama” and “papa” sent her to India in exchange for Mr. Edgbaston’s hefty payment to deal with debts incurred by her father’s hare-brained money-making schemes. On the way, however, Constance is shipwrecked on the Kingdom of Murimon’s shores. Murimon’s soon-to-be crowned king, Kadar, is native and would be to the manner born had he not spent the last seven years travelling the world and putting his cultural-know-how and sharp judgement to kings’ and nobles’ disposal. With his brother’s Butrus’s death, Kadar, though he’d vowed never to return because of the “sad thing” that happened to him (ah, cherchez la femme, chère lectrice) must take power to devote himself to his people’s well-being and country’s prosperity.
Miss Bates positively reviewed the first volume of Alissa Johnson’s Thief-Takers series, A Talent For Trickery. However, it was glimpses of the hero and heroine of the present volume, A Gift For Guile, that she anticipated. Guile‘s premise remains the same: three Victorian PIs’ lives are interwoven with the thief-turned-police-informant Will Walker’s family. Walker was killed when he and the three PIs rescued a kidnapped duchess and retrieved her jewels. To Walker’s family, however, two daughters and a son, his death was blessing and curse. Walker manipulated and used them, especially the girls, and yet, for all intents and purposes, with a mother who abandoned them, he WAS their family. A Gift For Guile is the story of the daughter who, Miss Bates suspects, suffered the most damage from Will Walker’s machinations and dishonesty, Esther Bales-Walker. Will used Esther to thieve and trick. When the present novel opens, Esther, known to police and therefore in danger of being identified and caught, is in a London train station, awaiting a meeting with a mysterious young man who claims to have information about her family. The young man has revelations about Esther’s parentage and Esther is compelled, despite the ever-present danger of discovery, to find out what they are. Until, into the station and her life, again walks private investigator (and nemesis), Sir Samuel Brass and said mysterious young man runs away. Samuel and Esther embark on a quest to find him and the truth behind Esther, her mother, father Will Walker, and her origins.
Cathy Pegau’s second Charlotte Brody historical murder mystery, Borrowing Death, is set between two colossal mistakes: the Great War and the enacting and enforcing of American Prohibition. While the Great War remains a definitive Canadian event, Prohibition figures prominently in the social rifts and conflicts of Pegau’s early-twentieth-century-Alaska-set novel. But Pegau’s journalist-amateur-sleuth heroine, Charlotte Brody, embodies an equally important historical moment. As Charlotte says, she’s not as interested in the 18th Amendment as she is in the 19th.
Charlotte is an independent, idealistic young woman, working as a journalist, deeply committed to causes near and dear to her, women’s suffrage and rights. Though only in her early twenties, Charlotte has done some living. She travelled from afar to the frontier town of Cordova. In the series’s first book, we learn Charlotte survived a fraught love affair. Her relationship with former lover Richard left her with a sour view of men and relationships and a diminished sense of her ability to understand and judge people. When she refused to follow her lover’s demand for a conventional end to their romance, that is, marriage, children, and Charlotte as home-maker, wife, mother, he turned on her. As a result, Charlotte made painful, irrevocable decisions, one that haunts her still. Moving to Cordova, reuniting with her brother Michael, is how Charlotte will lay the past to rest. Her writing and sleuthing, curiosity and intelligence, restore Charlotte’s faith in herself. If she can only find some way to restore her faith in romantic love. Continue reading
It seems appropriate that Miss Bates open her reviewing year with one of her favourite contemporary romance writers. Maisey Yates’s Tough Luck Hero is part of that sprawling fictional Oregon town that Yates has created around the Garretts and Wests, as well as various inter-connected denizens. Yates’s Copper Ridge tales have yet to grow stale or pale. Some are stronger than others, but each one is a necessary part of Yates’s compellingly woven whole. (Brokedown Cowboy remains Miss Bates’s unwavering favourite.) Copper Ridge is a place of mountainous and sea-set beauty, complicated family dynamics, and the small-town warp and weft of stricture and support. With every book, Copper Ridge grows, as the lonely and disparate find someone special. The road to love, commitment, and many babies, however, is fraught with Yates’s particular vision of what falling in love and committing entail: a crap-load of resistance and torment. Tough Luck Hero‘s hero, town Golden-Boy Colton West, really has had a run of terrible luck. Mayoral candidate Lydia Carpenter is sitting pretty … until Colton and sympathy shots at Ace’s bar see her luck run out too.
As 2016 draws to an end, Miss Bates offers new-year wishes to her readers: may 2017 bring good cheer, good friends, hearty constitutions, and every book be a keeper! Every year is marked by a particular reading mood and this year was harried for Miss Bates. A new job and responsibilities made reading and reviewing more infrequent than she would’ve liked. Maybe because of this, however, Miss Bates was reminded, as she winds down her reviewing year with a final “best of” post, what a soul-sustainer a life-long love of reading is. No matter how busy the week, how laden with tasks the week-end, even a half hour in another place or time, with characters working their way to an HEA, buoyed her spirits and gave her renewed strength for entering “once more unto the breach”. Romance itself had a lacklustre year. As you’ll note from her “best of” choices below, there are as many older roms as recently published ones. Romancelandia lost its unified magic and its controversies paled in light of world events. Review blogging felt quaint, which might be in keeping with Miss Bates’s own persona, but the loss of waning, or shut-down blogs saddens her. And yet, the genre’s message remains true and good: love, forgiveness, reconciliation, and the promise of plenitude, of body and spirit, is a candle in the darkening room that seems to be our world. Reading, thinking about reading, and engaging in dialogue about what we read with others, which is what MBRR always wants to be about, still feels right to Miss B. Continue reading