Miss Bates has followed the fortunes of Karen White’s heroine, Melanie Middleton, her on-again, off-again fraught relationship with writer Jack Trenholm, and her ghostly encounters, malevolent and benign, through four books. Though written in first-person narration and with a maddeningly slow-moving romance, MissB enjoyed every one, especially when they culminated in pleasing romantic conclusions. How could she pass up an opportunity to learn of Jack and Mellie’s further adventures? And how not to revisit beautiful Charleston and the vintage homes that feature in each mystery? Be warned, readers, if you haven’t read the first four books, MissB’s review of #5, The Guests On South Battery, contains spoilers. It’s inevitable when each book, while resolving the ghostly mystery at its heart, only moves Mellie and Jack’s relationship one smidgen forward. But there’s epilogue-satisfaction to The Guests On South Battery. When it opens, wife and husband, Mellie and Jack, their ten-month-old twins, JJ and Sarah, and Nola, Jack’s daughter from an earlier marriage, and now Melanie’s step-daughter, are living a good life. Continue reading
Miss Bates read Phillippi Ryan for the first time, having noted time and again Phillippi Ryan’s name on the Agatha Awards nominee or winner lists. Phillippi Ryan’s murder-mystery-thriller-police-procedural narrative structure brings a wheel’s hub and spokes to mind. The novel opens, most dramatically, with a back-stabbing murder in the midst of a hot, tourist-laden June day in Boston’s Curley Park. This central incident radiates outwardly to a number of characters and situations, which come together in a masterful dénouement. The Curley Park murder scene draws hero and heroine, Jake Brogan, BPD detective, and Jane Ryland, unemployed journalist and Jake’s secret-lover. Jane freelances for a local TV station, working to resurrect her defunct career. A student-photographer claiming to have pics of the murder waylays Jane. Jake and DeLuca, his partner, run into an alley to discover a security expert wrestling the perp to the ground. Jane and her new photographer-friend follow. The scene is chaotic; neither Jane, representing the media, nor Jake and his partner, representing law enforcement, can tell the crime’s why or who. Meanwhile, in the mayor’s offices above Curley Park, teen-age Tenley Siskel, whose mom, Catherine, Mayor Holbrooke’s chief of staff, got her a job working the security video, may or may not have recorded the murder. Moreover, Jane responds to a call from her sister Melissa who’s frantic with worry over the disappearance of her nine-year-old step-daughter-to-be, Grace.
Named Of The Dragon is another manifestation of Susanna Kearsley’s magic, a writerly witch’s pot of goodness, a virtuoso mix of gothic romance, amateur-sleuth mystery, and historical fiction mixed with legend and chronicle. On entertainment level alone, Named Of The Dragon will please – but, oh, there is so much more to think about and enjoy. Kearsley’s novel is signature and, with Simone St. James and Deanna Raybourn, the best in this hybrid genre the Ritas identified as novels “with strong romantic elements”. Atypical of the romance genre but typical of the hybrid, Kearsley’s novel has a first person narrator. Lynnette “Lyn” Ravenshaw is a London-based literary agent accompanying one of her writers, Bridget Cooper, to Christmas hols in rural Wales. This is no “child’s Christmas in Wales,” but children figure prominently in a narrative that alternates between Lyn’s vivid, anxiety-ridden, prophetic dreams of evil in a sterile wasteland where a lady in blue and blond, blue-eyed boy call for help and the waking world of temperamental authors amid village Christmas preparations. Lyn’s own loss of her newborn son five years ago fools the reader into thinking she is mourning and her dreams an expression of unresolved grief. But when she arrives in the Welsh town of Angle, with its rich history in Tudor England and connections to Merlin and Arthur, when she meets a fey young mother, Elen, who recognizes Lyn as her baby son’s, Stevie’s, savior and protector, when she meets the brooding playwright Gareth Morgan who figures in Elen’s life, and when she settles (Bridget’s friends) chez two brothers, James and Christopher Swift, who are also mysteriously involved with Elen and Stevie, her dreams take on dangerous, waking-world proportions.