Maisey Yates opens Gold Valley romance #4 with the line “Grant Dodge was alone. And that was how he liked it”, ensuring the reader that Grant Dodge is about to NOT be alone and that his hold on his solitude is to be shaken by the heroine. Said heroine, McKenna Tate, is blithely slumbering in an abandoned cabin on the ranch Grant shares with his brother Wyatt, sister-in-law Lindy, and sometimes-around veterinarian brother Bennett and sister-in-law, Kaylee. A “full house” of family and connections, but Grant prefers his solitude: what’s up with that and how will it be “shook up”? My tone may be flippant as I introduce Yates’s romance, but the romance is anything but: it’s angsty, heart-wrenching stuff with two very broken, very vulnerable, pain-filled protagonists. One is broken by his first marriage and the other broken by a life as a foster child, unloved, unwanted, uncared for. Reading their story, I thought Yates penned her most painful story yet, unredeemed by humour, or playful sex, banter (okay, there are soupçons of banter, but hardly) tenderness or joy. Grant and McKenna are two suffering characters, with burdens making Aeneas’s look like fluff, and the romance suffers under their weight as much as they do.
After nearly a month of reading Harari’s 21 Lessons, I sure needed a heavy romance dose. Who better than Nicole Helm to provide an antidote to Harari’s intellectual harshness? Why Helm? There are romance writers who love romance and that comes through in their writing, say Mary Balogh, the romance classicist, or the contemporary Lucy Parker. Then, there are romance writers who believe in romance and one of those is Helm. Another is her sister-in-writing, Maisey Yates. There’s a genuine belief in their stories as being tangible, possible, and attainable outside the pages of a book, no matter how idealized their characters. Though I’d recently read and reviewed a Helm romance, I knew she was going to cleanse the reading palate: Harari was nice, like having an exotic meal once in a while, or eating on vacay what you wouldn’t at home. But I was ready for my usual fare and enjoyed every but five minutes of it (more of that later).
I don’t know that you can really trust my review: maybe it’s too coloured by my relief and happiness at reading a hopeful book? I wanted the whole deal, a romance, yes, and one set during Christmas, with a Christmas “deal” of friends-with-benefits between what have been two antagonists through the first two books in Helm’s Navy SEAL Cowboys series – WOW, bring it on. Continue reading
We meet Cora Preston, the heroine of Nicole Helm’s A Nice Day For A Cowboy Wedding, as she comes into her own: “She was reaching for the stars now, or maybe those snow-peaked mountains. Strong, immovable, and majestic.” Five years ago, Cora and her then seven-year-old, Micah, lived with an abusive husband and father. When Stephen threatened Micah rather than her, Cora divorced him, got full custody of Micah and a restraining order. In the intervening years, Cora and Micah moved to small-town Gracely to live with Lilly, her sister. They’ve been difficult, growing-pain years, but the movement has been forward and positive. Cora and Micah are forging a new life. Cora’s gleaned herself off of total dependence on her older sister, is living on her own with her son, and partnering with Lilly to launch a wedding-planning business. More importantly, she and Micah’s therapy, while a work in progress, is helping them cope with the day-to-day. Micah is showing signs of teen-age rebellion and sullenness, but Cora is mothering more than being mothered. Micah is in baseball day-camp and Cora on her way to her first wedding plan client, Deb Tyler of Tyler Ranch. Cora is a vulnerable heroine, but determined to succeed and do right by her son. I liked her from the get-go.
Over the summer, I jumped off the Maisey Yates bandwagon. She’s prolific and I did have an ARC in the TBR. Something Something Cowboy. I read the first page, slapped the Kindle shut and moved on. No can do. There it was *eye roll* the typical Yates antagonism, the heroine with the defiant mouth, the surly and/or laid-back hero … usually, this is reading catnip for me. I quixotically thought, Yates and I are parting company. You’d rightly say: here you are, MissB., reviewing another Yates romance. (Which I loved, btw … ) So, what happened? I have a terrible reader confession, so petty, kinda mean: I cannot read tall heroines, just can’t. No way. Every other ilk I’m cool with, but once a heroine confesses to tallness, there’s a disconnect. And that points to something about what I want as a reader: a tiny connection with the heroine that says, “You’re small, but you can do this.” Maybe because I’m small, like Jane-Eyre small, and since reading Brontë’s novel, it has stood as a model of what a heroine should be: humble, but never diminished. It’s terrible and … prejudicial … and goodness knows, we don’t need any more of that in the world, but there you have it. But with Good Time Cowboy, Yates hit all my satisfaction levels and I’m back on the bandwagon.
Nicole Helm’s Cowboy Seal Homecoming gave me exactly what I was looking for: Helm’s brand of emotional honesty, quirky animals, uber-masculine heroes whose mission is to set the world aright, heroines who call them on their bullshit and yet don’t shame them for their vulnerabilities, and a beautifully -rendered rural setting, in this case, rancher-country Montana. Honorably discharged wounded warrior hero Alex Maguire comes home to his deceased father’s ranch. He claims an inheritance he shares with heroine Becca Denton, who found, in Burt Maguire’s ranch, a home and father. Now, she’s invited her stranger stepbrother to share in a joint project, creating a therapeutic ranch for war veterans like Alex and the two buddies (sequel-bait!) he brings along on his and Becca’s venture, Jack Armstrong and Gabe Cortez. As far as the romance’s outer trappings are concerned, originality isn’t what makes them up. But then, what romance’s tropes, trappings, and narrative structure do that? The romance’s attraction lies in all the ways the story can be told of how two alone become one united and fulfilled. Continue reading
2018 will prove to be yet another Maisey Yates year for Miss Bates, as she can’t seem to quit Yates’s romances. Last year, she read seven … let’s see how many MissB manages to read in 2018?! If Slow Burn Cowboy is any indication, then MissB’s love affair with the Yates romance isn’t over. Every time she reads one, Miss Bates ponders what draws her to Yates’s romances and every time, her understanding of what makes Yates a great romance writer grows. Not every book is perfect, or memorable, especially after you read so many, you’re no longer reading for individual storylines, but for those writer “tells” that make the books so attractive to a reader-fan. Miss Bates finds in Yates a combination of an upholding of love and fidelity with a healthy dose of raw sexuality. This is not a new observation to Miss B.’s readers. This time around, however, Miss Bates noticed yet one more thing that she loves about Yates: she puts wit and sophistication into her banter/dialogue for characters who’d normally not be associated with wit and banter: cowboys and uneducated, albeit successful, nonprofessional, carpenters, builders, and small-business-owners, or as the hero of Slow Burn Cowboy identifies, a “laborer”. Her characters are wonderful combinations of earthiness and clever wordplay. Does Slow Burn Cowboy hold any surprises for the Yates reader? Not really. Does it satisfy? Absolutely. Continue reading
Truth be told, Miss Bates would advise you not to read past this sentence because she loves every Maisey Yates romance she reads. You’ve been warned: you may have heard this before.
With each Copper Ridge and related romance novels that come out, MissB. anticipates disappointment: “finally, this one will be stale, tired, Yates will just go through the motions”. Nope, each and every one is good: thoughtful, sexy, centred on love, romance, healing, fidelity, and commitment. Hero and heroine are often many kinds of messed up, in need of healing what is soul-and-heart broken. They skirt around what their fabulous love-making intimates, dismiss it as lust, run away from what their bodies already know: this is your soulmate, the one person you’ve waited for, the one who ends all others for you, the one you love and will share a family with. It’s simple and familiar and Yates makes it fresh and wonderful every time. You either buy her view of love and marriage, or you balk at the notion of what the body knows, the mind must get used to; and, what the body knows, the soul recognized a long time ago. This is as true for Golden-Good-Girl Sabrina Leighton as for returned bad-boy, wrong-side-of-tracks Liam Donnelly.
It seems appropriate that Miss Bates open her reviewing year with one of her favourite contemporary romance writers. Maisey Yates’s Tough Luck Hero is part of that sprawling fictional Oregon town that Yates has created around the Garretts and Wests, as well as various inter-connected denizens. Yates’s Copper Ridge tales have yet to grow stale or pale. Some are stronger than others, but each one is a necessary part of Yates’s compellingly woven whole. (Brokedown Cowboy remains Miss Bates’s unwavering favourite.) Copper Ridge is a place of mountainous and sea-set beauty, complicated family dynamics, and the small-town warp and weft of stricture and support. With every book, Copper Ridge grows, as the lonely and disparate find someone special. The road to love, commitment, and many babies, however, is fraught with Yates’s particular vision of what falling in love and committing entail: a crap-load of resistance and torment. Tough Luck Hero‘s hero, town Golden-Boy Colton West, really has had a run of terrible luck. Mayoral candidate Lydia Carpenter is sitting pretty … until Colton and sympathy shots at Ace’s bar see her luck run out too.
Nicole Helm’s True-Blue Cowboy Christmas is the third and final volume of her Montana-set Big Sky Cowboys series. Miss Bates enjoyed the series’s combination of humour, angst, strained family dynamics, and theme of love’s healing, reconciling power. And when it comes wrapped in a Christmas-set romance narrative, all the better! One of the thematic aspects Miss B. enjoyed the most about Helm’s series is her creation of characters at a crossroads. Helm’s MCs come from difficult places, with pasts that hurt and thwart. When we meet them, they’re caught between a crippling past and the glimmer of breaking free of it, with the help of the transformative experience of love. Breaking out of old psychological habits and personal-history constraints is painful, like giving birth, but the potential rewards are great: the promise of living a better, different way is too potent and our protagonists too honest, desirous of it, and good, to forego the opportunity. Continue reading
Ever since she was a tween, Miss Bates has loved the film version of Breakfast At Tiffany’s. Miss Bates cannot resist the ethereally beautiful, vulnerable Audrey Hepburn or poignant Golden-Boy George Peppard. What Blake Edwards made of Capote’s novella is pure romance genre. More than anything, Miss Bates loved watching two morally compromised characters find love. They are, of course, morally compromised in their eyes, not the viewers’. Their growing love helps them re-evaluate who they are, see themselves in a better light, and give themselves what they deserve: love and belonging. In Nicole Helm’s Outlaw Cowboy, second in the Big Sky Cowboys series, Miss B. found just that, a viscerally satisfying romance about two people who are hardest on themselves emerging out of their dark nights of solitude to love, connection, family, and hope. Caleb Shaw is Mel Shaw’s brother; Mel is the heroine of Helm’s first romance in the series, Rebel Cowboy. That novel opened with Mel’s struggles to keep the Montana family ranch afloat. Bro’s on the bottle and father, paralyzed in an accident five years ago, has given up, checked out, and broods throughout the family home. When Outlaw Cowboy opens, baby bro Caleb has taken the ranch reins. He stopped drinking and desperately wants to retain ownership of the family land. Caleb is haunted by his mother’s abandonment and one terrible night he almost beat a man to death when he saw him holding a gun to his daughter’s head.