Lisa Kleypas’s romances were some of the first I ever read upon returning to the genre after 30 years away. Derek Craven remains one of my favourite heroes and Devil In Winter, one of my favourite romances. (On the other hand, there were those Kleypas woo-woo books I’d rather forget.) Kleypas went the way of contemporary romance, I started reading a variety of new, interesting romance writers and somehow, our paths never again converged until the pandemic saw a certain publisher largesse and I scored an e-galley of Chasing Cassandra. I thought I’d encounter the usual Kleypas fare, overprotective hero, heroine in peril, intense love scenes … and, Chasing Cassandra has some of that, but they’re not what stands out. Instead, I found a deeper, funnier, more relaxed Kleypas, a narrative richer in humour and characterization and less inclined to melodrama. Continue reading
One of the first romance novels I read when I returned to the genre and combed through best-of lists for titles to throw money at was Lisa Kleypas’s Dreaming Of You. I adored Sarah and Derek, the casino setting, the pesky, bespectacled heroine and hardened with a secret heart of gold hero. Ostensibly, Lorraine Heath’s Beyond Scandal and Desire has echoes of Kleypas’s romance classic, but in many other ways, it is an entirely different beast, unique to Heath’s vision. Beyond Scandal and Desire‘s cross-class promise, its ingenue heroine who’s too smart to stay that way and guttersnipe-made-good hero kept me reading through a slow, though evident of a sure writing hand, first third. The similarities to Kleypas saw me through the premise’s set-up. What kept me rivetted was Heath’s weaving of a tale about the need to be recognized, acknowledged, loved, and validated, a journey both hero and heroine take in their unique ways, about what family means, and where we can meet on a plane of forgiveness and reconciliation. To start, the novel’s gothic opening sees a London aristocrat deliver a new-born to the East End Widow Trewlove, by-blow of an affair? shame of the aristocracy? Yet, the birth scene had been one of tenderness and love between mother and father … whatever happened here, I wanted to know.
Miss Bates was conflicted reading Duran’s latest, A Lady’s Code Of Misconduct, her responses a roller-coaster of dips and climbs of disappointment or enthusiasm. Misconduct contains Duran’s signature themes: trust, conscience, identity, wealth, class, ambition, power, and how they mesh, shift, and change as two people who start out one way make their way to their better selves because they discover they love the other.
To start, Duran’s narrative takes a convoluted route, opening with a compelling scene and then flashback to bring us the sequence of events leading to it. A man in his prime, a Victorian MP, Crispin Burke, lies dying of a head wound in his parents’ London house. Charlotte, his sister, brings a young woman to his death-bed, a woman who is familiar, yet he’s ignorant of their relationship. Jane Burke, née Mason, announces she is his wife.
Duran then takes us three months prior: filling in Crispin and Jane’s unholy alliance, bred of coercion, manipulation, and expediency. Duran’s plot starts and remains tangled. Crispin and Jane have been long-acquainted: Crispin, a frequent visitor to Jane’s uncle’s, her guardian’s, estate. Allied by ambition, Crispin and Uncle Philip shared a politics of personal gain. They’re not friends, nor loyal, content to use each other for political gain. Duran sets up the villainy: by pointing to how people, without love, see the other as an object, used for personal advancement. Continue reading
Miss Bates’ first great rom-love was the historical. Given the recent contemporary romance glut, she’s grateful for any historical romance writers she discovers. Alissa Johnson is not new to the genre (début publication dates 2008), but certainly new to Miss Bates. A Talent For Trickery is first in the Victorian-Age-set Thief-Takers series. Johnson’s characterization, plot, and theme reminded Miss Bates of Lisa Kleypas’s Hathaways (if you liked the Hathaways, you’re going to like this). Viscount Owen Renderwell arrives at Willowbend House, Norfolk, with his detecting partners, Sirs Samuel Brass and Gabriel Arkwright. He is reluctantly welcomed by his former-thief-turned-agent-for-the-crown partner, Miss Charlotte “Lottie” Bales, formerly Walker, daughter of Will Walker, notorious criminal. In eight years, Charlotte built a new life and persona for herself and her family. Owen reminds her of days of yore when she helped her father swindle London society. She shares a home with Esther, her sister, and Peter, their younger brother, for whom Charlotte would make any sacrifice to keep him from discovering the truth of their father’s life. Abandoned by their mother, father perishing while aiding Owen recover a kidnapped duchess and her jewels, Charlotte’s memories of working alongside and yearning for Owen return in full emotional force. Owen is equally affected, but his mission carries more weight than his physical desires and emotional yearnings. Mrs. Maggie Popple was murdered and Charlotte’s father’s letters and journals may hold the key to solving the crime. Lottie has the talent and know-how to decipher Will Walker’s encryption.