REVIEW: Lorraine Heath’s BEYOND SCANDAL AND DESIRE

Beyond_Scandal_and_Desire

True to characters cover!

One of the first romance novels I read when I returned to the genre and combed through best-of lists for titles to throw money at was Lisa Kleypas’s Dreaming Of You. I adored Sarah and Derek, the casino setting, the pesky, bespectacled heroine and hardened with a secret heart of gold hero. Ostensibly, Lorraine Heath’s Beyond Scandal and Desire has echoes of Kleypas’s romance classic, but in many other ways, it is an entirely different beast, unique to Heath’s vision. Beyond Scandal and Desire‘s cross-class promise, its ingenue heroine who’s too smart to stay that way and guttersnipe-made-good hero kept me reading through a slow, though evident of a sure writing hand, first third. The similarities to Kleypas saw me through the premise’s set-up. What kept me rivetted was Heath’s weaving of a tale about the need to be recognized, acknowledged, loved, and validated, a journey both hero and heroine take in their unique ways, about what family means, and where we can meet on a plane of forgiveness and reconciliation. To start, the novel’s gothic opening sees a London aristocrat deliver a new-born to the East End Widow Trewlove, by-blow of an affair? shame of the aristocracy? Yet, the birth scene had been one of tenderness and love between mother and father … whatever happened here, I wanted to know.
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REVIEW: Elizabeth Hoyt’s DEAREST ROGUE, Of Caged and Lame Birds

Dearest_RogueThe Raven Prince and The Leopard Prince, especially the latter, are two of the best romance novels Miss Bates has read. With what enthusiasm Miss Bates delved into another Hoyt Georgian romance in Dearest Rogue. Eighth in the Maiden Lane series, Dearest Rogue, like the sublime, early Leopard Prince, is a cross-class romance. It opens on Bond Street, where bodyguard James Trevillion, formerly a captain in his majesty’s dragoons, saves his charge, Lady Phoebe Batten, from kidnapping. It’s obvious that James is sweet on Phoebe, but there be complications. Phoebe, sister to the powerful Duke of Wakefield, is blind and needs James’ protection from would-be kidnappers and to ensure her safety as she navigates city and society. (She is an innocent 21 to his jaded 33, so there’s a May/December trope as well.) Phoebe resents James’ close watch over her and her brother’s over-protectiveness. She imagines James dour and old, at least until Artemis, her sister-in-law, tells her he’s young, blue-eyed, and handsome. James, in turn, thinks he’s too old, too poor, too lame (he sustained an injury in the course of his dragoon duties) and too humble-in-origins to be anything but an annoyance to Lady Phoebe. Phoebe and James’ journey to love, friendship, and desire, while fighting kidnappers, Wakefield’s loving, controlling solicitude, and confronting James’ fraught family history, is told with Hoyt’s elegant prose and delightful humour. Continue reading

Mini-Review: Theresa Romain’s SEASON FOR DESIRE

Season_For_DesireIn keeping with Miss Bates’ fa-la-la posting until the 25th of the month, she dipped, this time, into the e-ARC TBR and from therein pulled Theresa Romain’s Season for Desire. The cover was pretty; out since October 7th, it deserved its spot on MBRR and Miss Bates had enjoyed To Charm A Naughty Countess. For brevity’s sake, Season‘s blurb:

Like her four sisters, Lady Audrina Bradleigh is expected to marry a duke, lead fashion, and behave with propriety. Consequently, Audrina pursues mischief with gusto, attending scandalous parties, and indulging in illicit affairs. But when an erstwhile lover threatens to ruin her reputation, Audrina has no choice but to find a respectable husband at once. Who would guess that her search would lead her to Giles Rutherford, a blunt-spoken American on a treasure hunt of his own? When a Christmas snowstorm strands the pair at a country inn, more secrets are traded than gifts – along with kisses that require no mistletoe – and Audrina discovers even proper gentlemen have their wicked side.

Um, no … the novel is both more serious and yet less interesting than the blurb makes it out to be. The blurb’s fun frivolity is no where to be found. The faux seriousness of the novel, in turn, makes it drag and fizzle. A convoluted plot, too many secondary characters, and a hero and heroine who barely interact left Miss Bates cold. Continue reading